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Emilio Estevez clearly had good intentions in making this fictional drama about the assassination of Robert F. Kennedy.
By Stephanie Zacharek
November 17, 2006
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Lauer defends Cruise. William H. Macy says Lohan and her ilk "should have their asses kicked." Plus: Jennifers Lopez and Garner, pregnant?
August 25, 2006
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Val Kilmer delivers his lines like they're beat poetry in this thoroughly Mametized -- but not very thrilling -- search-and-rescue thriller.
By Stephanie Zacharek
March 12, 2004
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William H. Macy and Maria Bello shine in a terrific -- and surprisingly sexy -- tale of a Vegas loser whose luck begins to turn.
By Stephanie Zacharek
November 26, 2003
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A spate of new films -- one with girl-next-door Meg Ryan -- depict graphic oral sex scenes. Is the film industry's portrayal of sexuality finally beginning to get real?
By Rebecca Traister
October 23, 2003
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William H. Macy's hit man commands a serious black comedy, a quiet thriller that's also an evocation of middle-aged disappointment.
By Charles Taylor
January 19, 2001
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Hollywood scheming: In David Mamet's delicious new ensemble comedy, the bastards win.
By Charles Taylor
December 22, 2000
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Salon's TV picks for Thursday, Dec. 21, 2000
By Joyce Millman
December 21, 2000
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Salon's TV picks for Tuesday, March 14, 2000
By Joyce Millman
March 14, 2000
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Salon's TV picks for Tuesday, Jan. 4, 2000
By Joyce Millman
January 4, 2000
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Even with a stellar cast, director Paul Thomas Anderson's "Boogie Nights" follow-up flounders without a punchline.
By Charles Taylor
December 17, 1999
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A cons-on-the-run caper gets its charm from witty, endearing performances and uncynical affection for its characters.
By Mary Elizabeth Williams
October 1, 1999
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Salon's TV picks for
Weekend, Sept. 17-19, 1999
By Joyce Millman
September 17, 1999
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This droopy action comedy saps Hollywood's best comic actors of their superpowers.
By Stephanie Zacharek
August 6, 1999
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Director Steven Zaillian does author Jonathan Harr a great injustice with his reductionist film version of Harr's 'A Civil Action'.
By Charles Taylor
December 23, 1998
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Gus Van Sant's retelling of a Hitchcock classic may not be anything new, but it's still just as shocking.
By Mary Elizabeth Williams
December 4, 1998
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Director Gary Ross fetishizes the '50s in this high-concept parable about the dangers of conformity.
By Charles Taylor
October 23, 1998