Tobey Maguire

Beyond the Multiplex Mickey and Spidey do Hollywood

The Disney-Marvel deal: Great news for faceless bean-counters -- and for Ant-Man! For movie fans, not so much
  • Coming to a theater near you: Dumb arguments

    Remember that "Settling for Mr. Good Enough" article? Well, Tobey Maguire just bought the movie rights.
  • "Spider-Man 3"

    Spidey comes back swingin'! The third installment in the beloved blockbuster series may be the biggest, splashiest and best one yet.
  • "The Good German"

    Clooney looks great -- again -- in black-and-white. But "Good German" is no "Good Night."
  • The Fix

    Spears denies marital breakup, defends parenting style, gets sued by paparazzo. Plus: Naomi Campbell's anger explained?
  • "Spider-Man 2"

    Tobey Maguire and Kirsten Dunst are back, but this sorta square Spidey movie doesn't swing.
  • "Seabiscuit"

    Director Gary Ross yearns to make this saga of the racehorse who transfixed Depression America into a Hollywood classic. But unlike the awkward real-life Seabiscuit, his version is pretty -- and lacks a soul.
  • Tobey and the glorified leotard

    Maguire tells of restricted Spidey bathroom breaks; Devo admits to subliminal messages. Plus: Ozzy and fam in Ripa love fest; Hurley's financial instincts unmolested by motherhood!
  • Spider-Man as Everyman

    Endearing Toby Maguire and Kirsten Dunst, the sexiest superhero's girlfriend ever, shine in this low-key but charming blockbuster.
  • All they feel is love

    McCartney denies Heather/Stella feud; Tobey takes black widow in Spidey stride; Rupert nixes gay Bond idea; "The Bachelor's" Michel whimpers about reality!
  • Look who's nuts

    De Matteo from "The Sopranos" neuters own pooch; Bullock gives Chaplin foot job; Kerr poses for unfortunate photo; Spidey spins web of disgusting meat references!
  • A lesson in grace, redux

    Stephen Bing maintains baby snub; Sarah Jessica Parker finally pregnant. Plus: Yogurt-hurling R.E.M. guitarist gets off; Bill Maher disses his girlfriends' sex know-how.
  • Revenge of the nerds

    Autograph collectors get back at nonsigning celebrities; Gene Simmons resorts to nude resorts. Plus: "Riverdance" runs dry; Sarah Jessica Parker gets mad; Brad and Jennifer get manse.
  • Wonderful movie

    "Wonder Boys" is still the best -- and most moving -- comedy of the year. Director Curtis Hanson and novelist Michael Chabon explain why Hollywood gave them a second chance to prove it.
  • Along came a spider

    Tobey Maguire heroically squeezes into the Spidey suit; Chevy Chase gets dissed by an upstart; Angelina Jolie gets snobby about snobs; and more. Plus: Julia Roberts tired of her Bratt?
  • Blue Glow

    Salon's TV picks for Weekend, April 14-16, 2000.
  • The John Irving rules

    Oscar watch: The author of "The Cider House Rules" talks about his Academy Award nomination, abortion and his strange fixation on oral sex.
  • Almost true

    Gershon, Wahlberg and Manheim act through their teeth; Hasselhoff in hasselhuff over character's exit. Plus: Like father, like pet. Rottweiler Anderson-Lee faces assault charges.
  • "Wonder Boys"

    Michael Douglas and Tobey Maguire clash, connect and get baked in Curtis Hanson's literate upscale entertainment.
  • A wizard of Hollywood

    Steve Kloves, screenwriter for Curtis Hanson's new "Wonder Boys," takes on Hollywood's hottest property -- boy wonder Harry Potter.
  • Blue Glow

    Salon's TV picks for Weekend, Jan. 28-30, 2000
  • "The Cider House Rules"

    Driven by Tobey Maguire's marvelously layered performance, Lasse Hallstrvm's old-fashioned cinematic yarn-spinning yields genuine emotion without sentimentality.
  • Starstock raving mad

    President Oprah? Godfather Trump? Noah Wyle will see you now? Starstock.com survey sez ... fans are nuts. Plus: Antonio, my Banderas! Who was that unmasked man at the Maxim party?
  • "Ride With the Devil"

    Ang Lee's dark and sober fable might be the most interesting and least dogmatic view of the Civil War to wend its way into the multiplexes.
  • Exile in "Pleasantville"

    Director Gary Ross fetishizes the '50s in this high-concept parable about the dangers of conformity.

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