Sundance Film Festival

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  • Like a "Virgin"

    Director Sofia Coppola talks about her film adaptation of "The Virgin Suicides," her proud father and Vincent Gallo's sex life (sort of).
    By Mark Ebner February 1, 2000

  • Who wants short shorts?

    Short films are popping up all over the Net, and at Sundance 2000, they're hotter than at any time since Wile E. and the Road Runner were driven out of movie theaters.
    By Mark Ebner January 31, 2000

  • Sundancing

    Living it up and getting down with "Groove," the dance-party pic that actually gets it right.
    By Janelle Brown January 28, 2000

  • Forget Sundance

    Former Miramax exec Jack Lechner proclaims the death of the indie as we know it.
    By Michael Sragow January 27, 2000

  • Killer's kicks

    Christian Bale and director Mary Harron talk about yuppie killers, Bret Easton Ellis' novel and forbidden sex in the dark satire "American Psycho."
    By Mark Ebner January 26, 2000

  • Sundance postcard

    Film premieres and opening night jitters -- our correspondent files his first festival dispatch.
    By Mark Ebner January 21, 2000

  • "American Movie"-maker

    Chris Smith wins the indie-film lottery with his documentary about another struggling independent filmmaker.
    By Martin Knelman November 2, 1999

  • The horror of indie filmmaking

    Scary movie director and "American Movie" star Mark Borchardt talks about living the examined life.
    By Dakota Smith November 2, 1999

  • "To me, talent is being able to fly"

    British actress Janet McTeer on the importance of training, the difficulty of Southern accents and why, at 39, her movie career is suddenly taking off.
    By Christine Schomer September 21, 1999

  • A star is born ... prematurely

    Famous for not being famous? If you act now, you too can have a fawning celebrity profile -- rich in essential adjectives -- at just a fraction of the cost!
    By Jen Banbury September 11, 1999

  • Harvey Keitel and the Sundance Kid

    An interview with "Three Seasons" director Tony Bui
    By Jennie Yabroff March 18, 1999

  • Keep it alive

    In 1998, 'The Cruise,' a single documentary about one man's life on the edge, saved the spirit of independent film. By Christine Schomer.
    By Christine Schomer December 22, 1998

  • Mark Waters

    Director Mark Waters talks about making "House of Yes" -- a different kind of JFK film.
    By Cynthia Joyce October 17, 1997

  • SALON Daily Clicks: Newsreal

    The Swiss didn't just hang on to Holocaust victims' bank accounts. They used them to bankroll Hitler's war machine.
    By Jonathan Broder July 25, 1997

  • SALON Daily Clicks: Newsreal

    A new documentary explores conflict and cooperation between blacks and Jews.
    By Lori Leibovich July 24, 1997

  • Mr. Todd's Wild Ride

    The biggest stories at the Sundance Film Festival are often those of the struggling filmmakers themselves: how Quentin Tarantino languished for years behind a video store counter, how Ed Burns shot "The Brothers McMullen" at his parents' house. This year, it's Todd Solondz's turn to leap from don't-quit-your-day-job obscurity.
    By Debra Jo Immergut January 28, 1996

  • The Women's Hour

    Tucked in among the 34 films (18 features and 16 documentaries) in competition at this year's Sundance Film Festival were more than a few serious gems. The most talked-about (and best) competition films focused on female characters -- a reaction, perhaps, to last year's glut of Tarantino-style shoot-'em-ups.
    By Debra Jo Immergut January 27, 1996

  • Sundance: The Women's Hour

    The most talked-about (and best) competition films focused on female characters -- a reaction, perhaps, to last year's glut of Tarantino-style shoot-'em-ups.
    By Debra Jo Immergut January 27, 1996

  • The Outsiders

    Slamdance provides an alternative to The Sundance Film Festival.
    By Debra Jo Immergut January 27, 1996
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