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Chris Smith wins the indie-film lottery with his documentary about another struggling independent filmmaker.
By Martin Knelman
November 2, 1999
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Director Spike Jonze puts his brilliantly offbeat twist on the "15 minutes of fame" theory.
By Andrew O'Hehir
October 29, 1999
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Wes Craven genre-hops, stumbles and makes a sappy melodrama.
By Mary Elizabeth Williams
October 29, 1999
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Samantha Morton, the best actress to emerge in the last decade, finds a film deserving of her talents.
By Charles Taylor
October 29, 1999
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David Lynch, the human tuning fork, talks about his most unusual movie -- a G-rated adventure about a man, a lawnmower and an emotional journey.
By Michael Sragow
October 28, 1999
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Legendary arts educator Philip Yenawine talks about the effrontery of art collectors, irresponsible artists and the willful ignorance of the average American male.
By Danya Ruttenberg
October 25, 1999
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"The Omega Code" takes evangelical America by storm.
By Lori Leibovich
October 22, 1999
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Forget the G rating -- this road movie is as weird as David Lynch gets.
By Charles Taylor
October 15, 1999
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"Fight Club" author Chuck Palahniuk offers advice on what to do when you haven't got time for the pain.
By Sarah Tomlinson
October 13, 1999
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Multimedia performance artist Laurie Anderson on Melville's Bible, the American art of the jump cut and why "Moby-Dick" still matters.
By Stacey Kors
October 5, 1999
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Why do American music magazines have to suck?
By Stephanie Zacharek
August 2, 1999
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"Daytrippers" is a charming road movie that never leaves the dinner table.
By Robin Dougherty
April 28, 1997
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"Kama Sutra" is bogus history and cheesy storytelling, but what the hell, it's sexy.
By Laura Miller
April 7, 1997
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In "Absolute Power," Clint Eastwood is as strong, silent and tedious as ever.
By Charles Taylor
March 14, 1997
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By Gavin McNett
March 11, 1997
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Martin Scorsese's romance with pop music
By James Marcus
December 30, 1995
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Look out Michael Crichton:
Jane Austen is becoming filmdom's favorite novelist
By Laura Miller
December 2, 1995
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