Robert Redford

"Lions for Lambs" "Lions for Lambs"

Robert Redford rips into the media, the government and our own liberal passivity in this remarkably rousing film.
By Stephanie Zacharek Nov 9, 2007

  • The Tribeca-Sundance throwdown

    Is Robert De Niro's big-city festival at war with Robert Redford's ski-slope festival? OK, maybe not. But the backstage drama has the indie world in a tizzy.
    By Andrew O'Hehir April 23, 2009

  • Greed, water and poetry

    Produced by Terrence Malick and Robert Redford, "The Unforeseen" is the "Chinatown" of Texas real-estate documentaries.
    By Andrew O'Hehir February 29, 2008

  • "An Unfinished Life"

    Robert Redford's latest is a poky, predictable picture -- and it kind of works.
    By Stephanie Zacharek September 9, 2005

  • "Spy Game"

    This brisk thriller overcomes its slick style with exciting espionage -- even if Brad Pitt and Robert Redford are all wrong.
    By Charles Taylor November 21, 2001

  • Will the green revolution be localized?

    Robert Redford and his co-hosts invited mayors from across the U.S. to the actor's spectacular Sundance resort, hoping to inspire them to take action on climate change.
    By Amanda Griscom Little July 16, 2005

  • Kevin Spacey: "The Oscar Wilde of our time"?

    Russell "The Blabiator" Crowe strikes again; Jagger talks about his "best lover in the world" rep. Plus: Moby talks about eating a cat!
    By Amy Reiter January 7, 2002

  • Tony Soprano says Redford's a goodfella

    James Gandolfini admits he's a donut; war with no end: Ono and McCartney. Plus: Drew Barrymore to take direction from George Clooney.
    By Amy Reiter October 22, 2001

  • "The Last Castle"

    Redford and Gandolfini have a battle of wills in this very manly prison movie from the director of "The Contender."
    By Stephanie Zacharek October 19, 2001

  • Jules and Jim and Butch

    "Butch Cassidy and the Sundance Kid" is worth watching again to see the sexual subtexts that might -- or might not -- have been on purpose.
    By David Thomson July 20, 2001

  • My name is Moby. I'm a jerk

    Techno-popster to world: "What's wrong with me?" Pam Anderson takes it off for golf. Plus: Seeing red -- Jagger battles Redford over Che flick.
    By Amy Reiter April 2, 2001

  • Buy our movie. Please.

    Does it take marching bands and a live tiger to get a distribution deal at Sundance?
    By Alan Deutschman January 31, 2001

  • The "Ally McBeal" diet

    Courtney Thorne-Smith: "I haven't had a piece of chicken in five days"; Senator-elect Clinton says she'll tell her side of Lewinsky story. Plus: Cindy Crawford claims Revlon's firing her "because I'm too old."
    By Amy Reiter December 1, 2000

  • Snubdance: The musical

    The story is just like any other, except it's very cold. And people eat each other.
    By David Goodman February 11, 2000

  • Show me your indies

    Think it's hard getting into Sundance? Try getting into Lapdance. A report from the Indiewood trenches.
    By Daniel Kraus February 3, 2000

  • Faster, pussycat ... save me the aisle seat?

    Meyer and Ebert agree on the big, bouncy issues. Beatty clues in, moves on, drops out. Also: Can it be true? Howard laments dearth of lesbians!
    By Amy Reiter September 17, 1999

  • "The Horse Whisperer"

    Stephanie Zacharek reviews 'The Horse Whisperer' directed by Robert Redford and starring Robert Redford, Kristin Scott Thomas and Sam Neill
    By Stephanie Zacharek May 14, 1998

  • "The Horse Whisperer" Soundtrack

    By Joe Heim April 6, 1998

  • Time for one thing: A guide to fast-forwarding to the most sensuous moments on film

    For the sleep-depraved and time-pressed, a guide to fast-forwarding to the most sensuous moments on film.
    By the Salon staff March 6, 1998

  • The Surreal Gourmet

    This simple trout recipe is the perfect accompaniment to a night at home, watching 'A River Runs Through It.'
    By Bob Blumer November 14, 1997

  • Anthem

    'Anthem' lets you ride shotgun on a sweet but amateurish road trip in search of the American Dream.
    By Cynthia Joyce September 22, 1997
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