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A great director, a poet, Robert Altman changed the landscape of filmmaking, and never stopped shooting. It's almost impossible to believe he's gone.
By Stephanie Zacharek
November 22, 2006
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An international hit about a steamy Brazilian three-way. How John Ashcroft tortured Tommy Chong. And Altman's dirty joke!
By Andrew O'Hehir
June 15, 2006
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Garrison Keillor and Robert Altman gather an all-star cast to sing an ode to the good old days and an anthem for the future.
By Stephanie Zacharek
June 9, 2006
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Two greats join forces for "A Prairie Home Companion" the film -- with a little help from Streep, Tomlin, Reilly and an enthusiastic Texas crowd.
By Andrew O'Hehir
March 12, 2006
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Director Robert Altman discusses getting attacked by the far right, working outside of Hollywood, and exposing the naked virtues of ballet in "The Company."
By Amy Reiter
January 6, 2004
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Robert Altman's surpassingly beautiful ballet movie feels lighter than air -- but in fact it's the great director's most tender and memorable film in years.
By Charles Taylor
December 25, 2003
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Robert Altman doesn't just enliven the corpse of the manor-house murder mystery -- he reunites it with its vital literary forebears.
By Steven Johnson
January 24, 2002
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Robert Altman delivers a heavily populated, slyly made romantic (and murderous) romp for the holidays.
By Stephanie Zacharek
December 26, 2001
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One of America's best actors discusses her directorial debut, "The Anniversary Party," and the joy of working.
By Stephen Lemons
June 26, 2001
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After threatening to expatriate themselves if Bush won the election, most would-be celebrity defectors put the back pedal to the metal.
By Carina Chocano
January 25, 2001
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On this long-awaited DVD, director Robert Altman talks about the making of an American classic.
By Bill Wyman
January 3, 2001
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Robert Altman, Lucianne Goldberg, Roger Ebert, Larry Flynt, T.C. Boyle, Catherine Zeta-Jones, Michael Douglas and others recall how they felt when they heard the news of John Lennon's death.
By Stephen Lemons
December 8, 2000
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Michael Sragow reminds us that directors aren't the only ones to praise when a movie is good.
Read by Michael Sragow
October 30, 2000
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Robert Altman's newest film is a madcap sprawl about the women who love the men who love them.
By Stephanie Zacharek
October 13, 2000
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Showbiz luminaries are threatening to leave the U.S. if the Republican candidate is elected. Here's one writer's passenger list for the first flight out.
By Carina Chocano
September 20, 2000
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So what's this about Philbin and his doctor? The A-word's comin' back, big time! Robert Altman uses it to describe Letterman; "Gods and Monsters" director wants Tom Hanks for new movie: "'The Right Stuff' meets SEX." Plus: One toke over the line -- Cheech & Chong are back!
By Amy Reiter
September 14, 2000
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Hollywood's ultimate outsider is at long last the Big Daddy of American cinema.
By Stephen Lemons
August 15, 2000
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By Ray Sawhill
By
July 5, 2000
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Twenty-five years ago, it looked like Robert Altman's freewheeling cinematic tapestry would change movies forever. What happened?
By Ray Sawhill
June 27, 2000
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The ambitious and radical star -- actor, producer, director -- crafted a remarkable and uncompromising slate of mainstream movies.
By Stephanie Zacharek
March 20, 2000
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Yes, there is life outside the L.A. music biz; two self-made troubadours tell how (and why) they live it.
By Cintra Wilson
March 16, 2000
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Locked forever in Teflon celebrity, the woman with the world's most beautiful armpits always gets the last laugh ... or so she says.
By Cintra Wilson
February 22, 2000
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"With Nails" author Richard E. Grant on auteurs, actors and the importance of being overpaid in Hollywood.
By Michael Sragow
October 21, 1999
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A quirky black comedy called "Harold and Maude" made him the poster boy of midnight movies. Thirty years later he said,"I've had moments where I wished I'd never done it."
By Erika Milvy
September 4, 1999
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Albert Brooks proves all too effective at playing a screenwriter who's lost the golden touch.
By Stephanie Zacharek
August 27, 1999