Rap

⇐ newest Page 3 of 3
  • Sharps & flats

    Puff Daddy's audacious "Forever" captures a paranoid success spitting in the face of his own demise. Is the Ebenezer Scrooge of rap losing it?
  • Sharps & flats

    Kool Keith is an alien. Kool Keith is Elvis. But why isn't the rapper weird anymore?
  • Letters to the Editor

    Limp Bizkit's rants would be acceptable if they were black; getting it right on Goth; are you sheltering your children or setting them up?
  • Sharps & flats

    Why Limp Bizkit's idiotic rap-metal represents a cresting wave of alt-rock conservatism.
  • Sharps & flats

    Wigga wit attitude: Why white hip-hopper G. Love needs to ditch his "Amos 'n' Andy" routine.
  • Russell Simmons

    The founder of Def Jam Records brought hip-hop culture into the American mainstream, and his empire is growing.
  • No fear of an MP3 planet

    As Public Enemy embraces new music technology and takes on the recording industry, it's also helping smash the Web's lily-white image.
  • Word up

    Two new films, 'Slamnation' and 'Slam,' celebrate -- and exaggerate -- the power of spoken word"
  • The Shadow Sheds Light

    Josh Davis, a.k.a. DJ Shadow, goes on the record about his latest project, 'Psyence Fiction,' the debut album from UNKLE.
  • Beastie Boys

  • G-love and Special Sauce

    Sharps & Flats is a daily music review in Salon Magazine
  • Portishead

    Sharps & Flats is a daily music review in Salon Magazine
  • Easy Listening for Armageddon

⇐ newest   Page 3 of 3

From Salon's blogs