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Puff Daddy's audacious "Forever" captures a paranoid success spitting in the face of his own demise. Is the Ebenezer Scrooge of rap losing it?
By Jon Dolan
September 16, 1999
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Kool Keith is an alien. Kool Keith is Elvis. But why isn't the rapper weird anymore?
By Alex Pappademas
August 20, 1999
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Limp Bizkit's rants would be acceptable if they were black; getting it right on Goth; are you sheltering your children or setting them up?
Letters to the Editor
August 12, 1999
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Why Limp Bizkit's idiotic rap-metal represents a cresting wave of alt-rock conservatism.
By Jon Dolan
August 5, 1999
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Wigga wit attitude: Why white hip-hopper G. Love needs to ditch his "Amos 'n' Andy" routine.
By Joe Heim
August 3, 1999
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The founder of Def Jam Records brought hip-hop culture into the
American mainstream, and his empire is growing.
By Jeff Stark
July 6, 1999
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As Public Enemy embraces new music technology and takes on the recording industry, it's also helping smash the Web's lily-white image.
By Janelle Brown
June 1, 1999
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Two new films, 'Slamnation' and 'Slam,' celebrate -- and exaggerate -- the power of spoken word"
By Hank Hyena
October 23, 1998
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Josh Davis, a.k.a. DJ Shadow, goes on the record about his latest project, 'Psyence Fiction,' the debut album from UNKLE.
By Adam Heimlich
September 23, 1998
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By Silja J.A. Talvi
July 15, 1998
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Sharps & Flats is a daily music review in Salon Magazine
By Natasha Stovall
November 11, 1997
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Sharps & Flats is a daily music review in Salon Magazine
By Michelle Goldberg
October 8, 1997
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By Roni Sarig
July 24, 1997