Orson Welles

Peter Bogdanovich
The director of "The Cat's Meow" discusses the truth about "Citizen Kane," the philanderings of Charlie Chaplin and the lies Hollywood tells us about death and dying.
Tanya's chili
In "Touch of Evil" Welles made the aging Dietrich into the quintessential femme fatale.
Jeanne Moreau
When you visit the woman Orson Welles called "the greatest actress in the world," don't try to light her cigarette -- you might get burned.
"Touch of Evil"
The famous unbroken shot that opens Orson Welles' gutter-baroque extravaganza gets cleaned up -- and, at last, shown as Welles intended it.
Citizen Killer?
A friend of the Black Dahlia fingers a surprising suspect in the legendary unsolved murder: Orson Welles.
The disc master
A conversation with the Criterion Collection's Peter Becker, the man who created the ultimate DVD versions of "Grand Illusion," "This Is Spinal Tap" -- and "Armageddon."
"Cradle Will Rock"
Tim Robbins makes politics for art's sake.
Unhappy meal
How to eat yourself to death.
Party pooper
Tom Winkler ditched his dream job on "The Simpsons" to focus on feces full-time.
"From Hell"
Alan Moore, the Orson Welles of comics, delivers his darkest masterpiece yet.
Everyone's a critic
New Yorkers apparently do not support Mayor Giuliani's holy war on the Brooklyn Museum.
Ballad of a fat man
Orson Welles' recently reissued noir classic 'Touch of Evil' may be the sleaziest good movie ever made.
The Third Man
Laura Miller writes about "The Third Man" for Salon Personal Best movies.

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