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Don't even think about trying to find a copy of an award-winning civil rights documentary online. The copyright cops will be waiting.
By Andrew Leonard
January 5, 2005
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CD sales have rebounded ever since the music biz started suing file-sharers. The industry is convinced there's a connection.
By Eric Boehlert
November 6, 2003
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As Hollywood wins one court case after another, one Republican senator is suggesting that maybe it's time for some new laws -- that protect consumers instead of entertainment companies.
By Farhad Manjoo
June 17, 2003
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Pirates armed with CD burners and cheap discs are bringing the industry to its knees. The U.S. could be next.
By Jack Brown
June 9, 2003
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Apple's new online music-buying system is everything Napster promised to be -- cheap, easy and, best of all, legal.
By Farhad Manjoo
April 29, 2003
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Don't scapegoat greedy record execs for Napster's failure, says Joseph Menn in "All the Rave: The Rise and Fall of Shawn Fanning's Napster." The inept bunglers who ran the company have only themselves to blame.
By Farhad Manjoo
April 21, 2003
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When Savenapster.com founder Chad Paulson decided that the file-trading pioneer cared more about money than artists, he stunned the company by changing sides. An excerpt from "All the Rave."
By Joseph Menn
April 21, 2003
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Personal video recorders already have Hollywood running scared. Now Microsoft is pushing a new computer that will make trading TV shows as easy as using ... Napster.
By Farhad Manjoo
December 9, 2002
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New numbers on declining music sales could mean that MP3 trading really is hurting CD sales. But that still doesn't mean we should lock up the pirates.
By Damien Cave
August 23, 2002
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The legal crackdown hasn't squelched MP3 trading -- it's just made it more of a pain. But the music industry would still rather fight than give its online customers what they want.
By Farhad Manjoo
July 30, 2002
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An economist says music piracy should be hurting the recording industry, but it isn't -- and he doesn't know why.
By Damien Cave
June 13, 2002
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Are the fake MP3s popping up on file-sharing networks part of the recording industry's war on piracy, or just the latest in music marketing?
By Dan Levine
June 10, 2002
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The company that launched a thousand rips may be dead, but the movement it launched continues to thrive -- and to make a mockery of the music industry's pathetic online offerings.
By Janelle Brown
May 17, 2002
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A 1960s-era recording artist says he can't get Sony to pay royalties, so his psychedelic pop might as well be free.
By Damien Cave
April 23, 2002
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Microsoft's new security drive aims to appease Hollywood, comfort consumers and reinvigorate the PC. But will the price for such safety be too high?
By Paul Boutin
April 9, 2002
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Record companies will make big, big money online. They just need to learn to let go.
By Paul Boutin
December 18, 2001
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John Alderman's "Sonic Boom" recounts the history of Napster -- and the unstoppable rise of file trading.
By Richard Barbrook
November 30, 2001
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In "The Future of Ideas" Lawrence Lessig explains why ham-handed efforts to increase copyright protection are a threat to freedom and prosperity.
By Marc Rotenberg
November 7, 2001
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Bad news from the Napster wars: The harder you fight against decentralized networks, the more enemies you create.
By James Grimmelmann
September 26, 2001
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There's a new software business model in town -- symbiotic plug-ins that pay for the privilege of piggybacking on the hot download of the moment.
By Damien Cave
August 2, 2001
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As the Net gets older, is it losing its soul, or just growing up?
By Andrew Leonard
August 1, 2001
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By smashing Napster, the music industry has pushed its customers to seek alternatives that won't be so easy to shut down.
By Scott Rosenberg
July 20, 2001
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Down with the sports monopolies! In the FanCast.com future, we all get to do the play-by-play.
By King Kaufman
June 27, 2001
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Hackers love their TiVos, and the company is fond of its hackers. But as in any relationship, sometimes one party goes a bit too far.
By Damien Cave
June 20, 2001
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The dust is clearing from the online entertainment wars. Who won? The record labels. Who lost? Consumers.
By Janelle Brown
June 1, 2001