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Female rapper T-Love revisits hip-hop's golden era
with playful, politically progressive lyrics over tight beats and jazzy riffs.
By Celeste Dawn Mitchell
May 16, 2003
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This Chicago art-punk quintet supplies a sophisticated blend of funk rhythms, synthesized strings and crunchy guitar slices.
By Rob Young
May 14, 2003
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Two outstanding releases in the avant-jazz Blue Series, plus the solo debut by APC rapper Beans, take hip-hop/jazz fusion to new places.
By Ehren Gresehover
May 9, 2003
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Early American folk and blues merge intriguingly with off-kilter electronic sounds.
By Thomas Bartlett
May 7, 2003
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For their latest album the New Jersey indie rockers cut the distortion in favor of a smooth and relaxed jazzy sound.
By Rob Young
May 1, 2003
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A collection of early '60s recordings by the Red-Headed Stranger shows a chiseled young man with a sweet, sweet voice.
By Max Garrone
April 29, 2003
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Seasoned songwriter Bill Callahan, aka Smog, moves away from miserabilistic anti-folk toward more amiable and reflective songs.
By B.R. Bickford
April 22, 2003
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Nubian princesses Helene and Celia Faussart explore Caribbean rhythms, Brazilian strings and Afro-jazz on their latest album.
By Celeste Dawn Mitchell
April 18, 2003
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The ex-Monty Python star visits tropical islands that have been spared from English documentary makers in brown shorts.
By Andrew Cline
April 16, 2003
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The riotous debut offering from this electropunk outfit is a send-up of old-school hip-hop, '90s diva house and classic surf rock.
By Nick Hallett
April 14, 2003
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San Francisco noise pop band Deerhoof's glorious new album can soothe you to sleep or kick you in the head.
By Marshall York
April 11, 2003
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The Brooklyn trio's latest CD charms with harmony-laden, sweet '60s pop tunes.
By Anne O'Neil
April 10, 2003
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After a sub-par solo debut, Malkmus the Irreverent returns to form, effortlessly spanning the gap between quirky pop and hard rock.
By Rob Young
April 9, 2003
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The Australian indie pop cult band from the '80s is back with a second album after reuniting in 2000.
By Ross White
April 7, 2003
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Avant-garde violinist Maneri's latest release is an ambitious work of thoughtfully constructed free jazz.
By Ehren Gresehover
April 4, 2003
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Former Silver Apples member Xian Hawkins' first album under the moniker Sybarite is a collection of intriguing cinematic mood pieces.
By Thomas Bartlett
April 2, 2003
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The Buzzcocks new album shows that Pete Shelley and Steve Diggle can still write immensely memorable punk rock tunes.
By Carolyn Lengel
March 31, 2003
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New records by Guided by Voices mastermind Robert Pollard and by Tobin Sprout explore the varied ways of '60s psychedelia.
By Murray Jason
March 28, 2003
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The Australian instrumental trio's seventh album pits wistful violins and vigorous drums against gorgeous guitar dreamscapes.
By Betsy Bonner
March 26, 2003
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The experimental U.K. pop group's beautifully spooky new album would make an apt soundtrack for a rainy murder mystery.
By Rob Young
March 24, 2003
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Crooked Fingers, aka Eric Bachmann (Archers of Loaf), stuns fans with more baroque melancholy on his latest CD.
By Charlotte Walton
March 21, 2003
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Chicago-based Pulseprogramming infuse winterly electronic soundscapes with moaning cellos, whispered vocals and other warming elements.
By Rob Young
March 19, 2003
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Download a selection of protest songs from the Beastie Boys, Ani DiFranco, John Mellencamp, Chumbawamba and others.
March 13, 2003
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On their latest album, Germany's Notwist elegantly blend acoustic pop and atmospheric glitch electronics.
By Rob Young
March 12, 2003
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Miho Hatori (of Cibo Matto) and guitarist Smokey Hormel pay tribute to Brazilian Afro-samba songwriter Baden Powell on their new EP.
By Thomas Bartlett
March 10, 2003