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On their second album, "Airs Above Your Station," Seattle indie rockers Kinski splice together explosive guitars with mellow synths.
By Rob Young
March 7, 2003
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Sue Garner and Freakwater's Catherine Irwin play somber, intimate ballads on two rewarding solo releases.
By Dan Kois
March 5, 2003
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Taking a step toward perky pop tunes, Chicago's the Sea and Cake deliver their most charmingly elegant and fully realized effort to date.
By Ewald Christians
February 28, 2003
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Sonic Youth's Jim O'Rourke and Wilco's Jeff Tweedy and Glenn Kotche deliver a handful of meticulously arranged songs.
By Rob Young
February 26, 2003
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Warn Defever & Lovetta Pippen's latest record fuses R&B with old funk and a touch of Jimi Hendrix.
By Ross White
February 24, 2003
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"Songs in the Key of Z (Vol. 2)" is an ear-opening collection of eccentric and weird songs from Irwin Chusid's radio show "Incorrect Music."
February 21, 2003
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Calexico's latest album offers a pastiche of Southwestern sounds, paying tribute to musical traditions ranging from jazz to mariachi.
By Kyle Wills
February 20, 2003
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Sam Beam's fragile and soothing songs combine acoustic slide guitar with textured vocal harmonies.
By B.R. Bickford
February 19, 2003
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Chan Marshall delivers her trademark dark, stripped-down ballads, but overall the new album is surprisingly upbeat.
By Betsy Bonner
February 18, 2003
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With the voice of a young Springsteen, Jurado reflects the world with solemn and mature style.
By B.R. Bickford
February 6, 2003
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The versatile New Jersey indie rockers team up with a varied cast for four enchanting remakes of Sun Ra's antiwar classic.
By Ehren Gresehover
January 31, 2003
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Kweli's thoughtful rhymes and soulful musicality are a breath of fresh air in a genre dominated by materialistic self-indulgence and uninspired beats.
By Dan Kois
January 27, 2003
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Besides outstanding Stones and Kraftwerk remakes, Luna's seven-song CD offers some of their best new material in years.
By Murray Jason
January 22, 2003
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Their 1999 album "Things Fall Apart" ranks as one of the best hip-hop albums ever. With expectations high, the genre's only real "band" sets out in a new direction.
By Stephen Weiss
January 17, 2003
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Leaving behind the rambunctious beats of his electronic music as Hrvatski, Whitman strips, loops and tinkers vibrant guitar sounds into a thing of beauty.
By Kyle Wills
January 14, 2003
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Chicago-based guitar virtuoso Dan Sullivan delivers a dark, brooding but ultimately engaging avant-rock record.
By B.R. Bickford
January 13, 2003
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Missy has become one of the world's preeminent rappers and again scores the highest marks in flow, cleverness and style.
By Stephen Weiss
January 9, 2003
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The Montreal-based indie rock collective delivers sweet violin sweeps and lilting guitars that give way to disturbing crescendos of feedback and distortion.
By Ross White
January 7, 2003
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L.A. crackpot genius ChesnuTT has created a lo-fi, genre-hopping double album that couldn't be more aptly named.
By Dan Kois
January 3, 2003
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Four Swedish lasses in their early 20s attack the airwaves with melodious, sweaty bar rock.
By Ross White
December 16, 2002
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Electronic musician Sebastian Meissner creates an intelligent and timely sound homage to a cherished city embroiled in conflict.
By Stephen Weiss
December 13, 2002
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A collection of underground dance tracks pits a new generation of electro artists (Fischerspooner) against their progenitors (Kraftwerk).
By Stephen Weiss
December 9, 2002
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Barely known in these parts, Gray is a celebrity in Britain whose fame is well-deserved. This record might propel him to pop stardom in the U.S.
By Andrew Cline
November 25, 2002
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Ex-Nirvana member Dave Grohl's band finally puts out a record that doesn't peter out after a few tracks.
By Ross White
November 22, 2002
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MC Mike Skinner's outstanding debut album delivers the most comprehensive look at British working-class life since "Trainspotting."
By Ewald Christians
November 19, 2002