Nicolas Cage plays one crazy-ass cop in Werner Herzog's loopy, cheerfully disreputable nonremake
By Stephanie Zacharek Nov 19, 2009
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It might break box-office records, but this "Twilight" follow-up is a total bust
By Stephanie Zacharek
November 19, 2009
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Back home after 17 years, the action maestro has created his biggest spectacle -- and rebooted China's film biz
By Andrew O'Hehir
November 18, 2009
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Pedro Almodóvar gives us a gorgeous melodramatic fantasy about what it means to live for movies
By Stephanie Zacharek
November 18, 2009
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Does a confrontational new documentary try to resurrect Marx for the 21st century? And is that such a bad idea?
By Andrew O'Hehir
November 13, 2009
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Roland Emmerich's extravagant apocalyptic epic is totally, certifiably nuts
By Stephanie Zacharek
November 12, 2009
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Richard Curtis' rambling ensemble comedy tunes in to the spirit of mid-'60s rock 'n' roll
By Stephanie Zacharek
November 12, 2009
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Wes Anderson's take on Roald Dahl is possibly the best movie about family, community and poultry thievery ever made
By Stephanie Zacharek
November 11, 2009
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Robert Zemeckis' 3-D, motion-capture masterwork is oddly flat. And isn't one Jim Carrey enough for any movie?
By Mary Elizabeth Williams
November 5, 2009
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"Donnie Darko" director Richard Kelley delivers at least one-half of a sophisticated, old-fashioned thriller
By Stephanie Zacharek
November 5, 2009
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Not even George Clooney's "sparkly eyes" can ignite this wispy satirical comedy
By Stephanie Zacharek
November 5, 2009
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Mo'Nique, newcomer Gabourey Sidibe and Mariah Carey keep "Precious" from becoming a social tract
By Stephanie Zacharek
November 4, 2009
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A spectacular new film explores the physics and metaphysics of nature's most terrifying elemental force
By Andrew O'Hehir
November 3, 2009
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Forget the sequels, formulas and pointless gore -- at the low-rent, freaky fringes, horror movies are still alive
By Andrew O'Hehir
October 29, 2009
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Director Ti West's horror homage looks to the '80s, without irony
By Stephanie Zacharek
October 29, 2009
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Paolo Sorrentino's dazzling, daring "Il Divo" brings the cinematic bravado of Coppola and Scorsese back home
By Andrew O'Hehir
October 28, 2009
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Kenny Ortega's moving documentary expands the unsolvable mystery of Michael Jackson
By Stephanie Zacharek
October 28, 2009
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Hilary Swank has the face, and the swagger, to play Amelia Earhart. So why does this ambitious biopic stall out?
By Stephanie Zacharek
October 22, 2009
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Salma Hayek makes one sexy bearded lady, but she can't put hair on the chest of this good-natured kiddie horror pic
By Stephanie Zacharek
October 22, 2009
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Call it torture porn or call it art, the mad Dane's violent psychodrama is like no other movie this year (or ever)
By Andrew O'Hehir
October 21, 2009
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Spike Jonze and Dave Eggers turn Maurice Sendak's woolly kids' book into a shoe-gazing exercise
By Stephanie Zacharek
October 16, 2009
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How to turn a low-budget horror indie into a hit? Add Steven Spielberg, Twitter -- and scare the pants off people
By Mary Elizabeth Williams
October 16, 2009
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What are the real lessons in the filmmaker's neo-noir classic?
By Andrew O'Hehir
October 13, 2009
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Carey Mulligan shines as a teenager exploring the minefield of love -- and sex -- in a film written by Nick Hornby
By Stephanie Zacharek
October 9, 2009
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Burning relaxers, expensive extensions, African-American identity: Chris Rock covers it all, and keeps us laughing
By Stephanie Zacharek
October 9, 2009
"Bad Lieutenant": So bad it's good
Clouds over "New Moon"
John Woo on "Red Cliff" and the rise of Chinawood
"Broken Embraces" and the ties that bind
"The End of Poverty?": How the rich steal from the poor
"2012": The end of the world as we know it
"Pirate Radio" keeps the boat rocking
"Fantastic Mr. Fox": Better than Pixar
Disney's "A Christmas Carol": Bah, humbug!
The creepy suspense inside "The Box"
"The Men Who Stare at Goats": Quick, look away
Lightning survivors tell (almost) all!
Have an alt-horror Halloween!
"The House of the Devil": Creepy, stylish fun
Critics' Picks: The dark prince of postwar Italy
"This Is It" is only the beginning
"Amelia": What becomes a legend most?
"Cirque du Freak": Not freaky enough
"Antichrist": Lars von Trier's voyage into madness
Where the wild things aren't
The terrifying success of "Paranormal Activity"
Rape, power and Polanski's "Chinatown"
"An Education": Romance with an older man
"Good Hair" gives it to us straight
War Room
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Glenn Greenwald