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A scorching new HBO documentary relives the horror of the 1972 Munich Olympic massacre.
By Michael Sragow
September 9, 2000
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Will Smith's first starring role is still his best.
By Michael Sragow
September 8, 2000
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"Paragraph 175" filmmakers Rob Epstein and Jeffrey Friedman testify about the Nazi persecution of gay men.
By Michael Sragow
September 7, 2000
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Pulp fiction you can sink your teeth into, and fall in love with.
By Michael Sragow
September 6, 2000
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Did a Frenchman scare Hitchcock into making "Psycho"?
By Michael Sragow
August 31, 2000
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Up in the sky! Look! It's a dynamic collection of classic animated shorts in gleaming Technicolor!
By Michael Sragow
August 25, 2000
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This summer's hottest noir director talks about the road to "Rififi."
By Michael Sragow
August 24, 2000
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Ron Shelton's comedy about wisecracking, tough-talking basketball rivals opens up more racial dialogue than any message movie.
By Michael Sragow
August 21, 2000
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Was 1936 Hitchcock's very best year? Two thrillers, including the director's weirdest movie ever, make the case.
By Michael Sragow
August 18, 2000
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With unlimited range, Alec Guinness gave the movies grace and hubris, brains and laughs, Obi-Wan Kenobi and literature's most indelible poseur.
By Michael Sragow
August 17, 2000
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By Michael Sragow
By
August 14, 2000
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How a free Rolling Stones concert turned into a colossal mass bad trip -- and spawned the most harrowing rock 'n' roll movie ever made.
By Michael Sragow
August 10, 2000
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Humphrey Bogart and Howard Hawks get Raymond Chandler so right, who cares if the plot doesn't square?
By Michael Sragow
August 9, 2000
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The nakedness of Neil Jordan's moody, oddly magical love story goes beyond the skin.
By Michael Sragow
August 7, 2000
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On the set of his first movie, he was young, gifted, black and beautiful. In his new one, it's just a Murphy, Murphy, Murphy, Murphy, Murphy World.
By Michael Sragow
August 3, 2000
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A murdered man tracks his own killer in this ahead-of-its-time 1950 noir thriller.
By Michael Sragow
August 1, 2000
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Philip Kaufman's new "Quills" pits the Marquis de Sade against Kenneth Starr in Napoleonic drag.
By Michael Sragow
July 27, 2000
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This may not be the ultimate package, but at least Coppola sheds some light on the picture's spectacular and eerie nighttime blaze.
By Michael Sragow
July 24, 2000
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Skip Hollywood's latest scary movie and try one of these haunted-house classics.
By Michael Sragow
July 20, 2000
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A special-effects wizard for "The Perfect Storm" talks about crafting virtual victims (and heroes) and the evolution of computer graphics, from morphing to "The Matrix."
By Michael Sragow
July 13, 2000
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The unpredictable star talks about his overlooked boxing flick, "Play It to the Bone" -- and tries to avoid preaching.
By Michael Sragow
July 6, 2000
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Janet Leigh rebuffed Howard Hughes, made movies with Orson Welles and collaborated with Alfred Hitchcock. But don't call her an actor.
By Michael Sragow
June 29, 2000
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"Chicken Run" creators Nick Park and Peter Lord talk about animating with emotion, Mel Gibson's patriotic rooster and finding an idea with legs, er, drumsticks.
By Michael Sragow
June 22, 2000
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Comic-book artist Paul Mavrides talks about propaganda, America's futile drug war and the splashy graphics that spiff up Ron Mann's dope documentary.
By Michael Sragow
June 15, 2000
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The stand-up comedian's one-woman movie proves that Cho business is not all show business.
By Michael Sragow
June 8, 2000