Michael Sragow

  • Remembering Pauline Kael

    Greil Marcus, Roger Ebert, Allen Barra, Michael Sragow and Charles Taylor remember the influential critic's caustic wit, sharp opinions and boundless enthusiasm for film and writing.
  • "The Bridge on the River Kwai"

    Two takes on David Lean's epic masterpiece show how vastly different Hollywood's idea of great moviemakers was in 1957.
  • We three kings

    The great works of Stanley Kubrick, Francis Ford Coppola and F.W. Murnau make today's movies look like bags of tricks or boxes of soap.
  • Directors from B to Z

    "Panic" filmmaker Henry Bromell talks about low-budget independence, while Robert Zemeckis of "Cast Away" chimes in on big-studio clout.
  • Life is like a FedEx box

    Tom Hanks says that until crisis strikes, you always know what you're going to get.
  • "The Graduate"

    Dustin Hoffman explains his method, his sequel and other notes behind this sweeping indictment of adulthood -- and swoony vision of triumphant youth.
  • An ornery kind of American heroism

    Jason Robards became the most urban of characters, but I'll remember him for his saloon-bred hoarseness and his frontier purpose.
  • Pairs of pleasure

    A much-pilloried year really wasn't so bad: Here's a top 10 list that's 17 movies long!
  • "Thirteen Days"

    This showdown on the nuclear frontier isn't about the U.S. vs. Cuba and the Soviets -- it's about the Kennedys vs. a vast old-man conspiracy.
  • Hostage to suspense

    Russell Crowe is magnetic but the rest of the high-stakes kidnapping drama "Proof of Life" is a nail-biter without heart.
  • "Wuthering Heights"

    A DVD interview reveals Sir Laurence Olivier's acting advice for this wrenching classic: "The virgin presents the pelvis."
  • "You'll shoot your eye out, kid"

    Everything you need to know about the great yuletide standards, from "It's a Wonderful Life" to "A Christmas Story."
  • "Deliverance"

    An extra documentary suggests James Dickey wanted someone else to make his movie; give him credit for not squealing like a pig.
  • The terror games

    Michael Sragow talks about the Academy Award-winning documentary "One Day in September," in which Palestinian terrorists capture and murder members of the Israeli Olympic team.
  • "Proof of Life"

    Russell Crowe, all ironclad irony and bedrock honesty, makes competence look sexy in this intriguing action movie.
  • Another "Hard Day's Night"

    Producer Walter Shenson tells how he gave director Richard Lester a ticket to ride. (The band just acted naturally.)
  • Anarchic youths

    Today the old Beatles flick "A Hard Day's Night" comes off as a satiric fairy tale, but it still has the vigor of a four-man hurricane.
  • "A demented peacock"

    Oscar-winner Geoffrey Rush talks about "Quills," playing a great pervert and what's so funny about sadism.
  • Robert Downey Jr. deserves our love and protection

    By Michael Sragow
  • Robert Downey Jr. deserves our love and protection

    The most extravagantly gifted actor of his generation is also a drug addict who has harmed no one. Jailing him is as barbaric as treating the sick with leeches.
  • Muscular narrative

    How Philip Kaufman turned his new Marquis de Sade film, "Quills," into "Shakespeare in Love" meets "Silence of the Lambs."
  • A plucking good time!

    DVD News: "Chicken Run" is the instant animated classic that brought "The Great Escape" down on the farm with a bunch of intrepid chickens.
  • "The Harder They Come"

    Perry Henzell's gleeful rabble-rouser about a reggae outlaw returns with some of its original luster restored -- and then there's that killer soundtrack.
  • Charlie's dude

    Director McG on why his "Charlie's Angels" is a kung fu "The Breakfast Club" with one part "Grease," some "Singin' in the Rain" and a bit of "Rocky." Or something like that.
  • "The Perfect Storm"

    A deluxe crash course in digital production -- and one that helps explain why director Wolfgang Petersen just couldn't grasp the subtlety of Sebastian Junger's book.
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