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In his latest dissection of the gender gap, the director of the great "Carnal Knowledge" trades earnest sexual consideration for a cheap, vibrating sight gag.
By Virginia Vitzthum
March 21, 2000
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I now know what it feels like to be hated by every guy in a bar because the four hottest girls there are dancing intently around you. And yet, I am not all that distracted.
By David Goodman
December 17, 1999
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Christina Ricci's Love Hewitt jones; Streisand just says no to running; Monica Lewinsky's zipless clutch. Plus: Auctioning child's baby clothes on Internet? Zero dollars. Drew Barrymore's childhood? Priced.
By Amy Reiter
November 18, 1999
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Warren Beatty delivers a coquettish speech in Beverly Hills.
By Vivienne Walt
September 30, 1999
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Alfred Hitchcock's first rule of directing was to treat actors like cattle -- and even in his own cameos, he was no sacred cow.
By Sarah Vowell
August 11, 1999
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Everything I know I learned from Video Rodeo.
By Sarah Vowell
June 2, 1999
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Martian case tossed out of court; the Clintons clean up; and motor-boys dig "Shakespeare in Love."
By Amy Reiter
May 19, 1999
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The poet laureate of appetite talks about the saving power of animals, Charles Frazier's prose style and the tyranny of sexual correctness.
By Jonathan Miles
December 2, 1998
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Jack Nicholson is at his best playing a burned-out border patrol officer in a small Texas town.
By Charles Taylor
June 30, 1998
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'As Good As It Gets' is more a horror film than a heartwarmer: one more pathetic male rescue fantasy about an emotionally constipated misfit who is saved by the love of a good woman.
By Sara Nelson
March 20, 1998
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For the sleep-depraved and time-pressed, a guide to fast-forwarding to the most sensuous moments on film.
By the Salon staff
March 6, 1998
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Do we really want a sexually frustrated president -- or is the Clinton scandal an opportunity to redefine the tyrannical institution of marriage?
By Fred Branfman
February 10, 1998
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Andrew O'Hehir reviews 'As Good as It Gets' directed by James Brooks and starring Jack Nicholson, Helen Hunt and Greg Kinnear.
By Andrew O'Hehir
December 24, 1997