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In a delightful debut film, a New Jersey teen confronts boys, roller disco and the Iranian Revolution.
By Andrew O'Hehir
February 27, 2002
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A snarky, soccer-hooligan remake of "The Longest Yard" offers action, attitude and grim English atmosphere.
By Andrew O'Hehir
February 26, 2002
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This eye-popping Indian wedding comedy is a guaranteed art-house hit. Too bad it misses all the good jokes.
By Charles Taylor
February 22, 2002
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Michael Caine heads a dream cast of veteran English actors in Fred Schepisi's unassuming masterpiece about life, love and the cruel joke of old age.
By Charles Taylor
February 15, 2002
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Italian director Nanni Moretti's Palme d'Or winner is a delicate, distinctive drama of a family torn apart by grief.
By Stephanie Zacharek
February 8, 2002
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"Dangerous Liaisons" meets "The Texas Chain Saw Massacre" in this profoundly insane French horror movie. Plus: Native American kung fu!
By Andrew O'Hehir
February 1, 2002
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Todd Solondz's newest debacle drips with contempt for his audience, his characters and his critics.
By Charles Taylor
January 25, 2002
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Tsai Ming-Liang's new movie about urban isolation reinvents the delicate, poetic shadow play of silent movies.
By Charles Taylor
January 11, 2002
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Robert Altman delivers a heavily populated, slyly made romantic (and murderous) romp for the holidays.
By Stephanie Zacharek
December 26, 2001
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"American Beauty" meets Bergman in this note-perfect masterwork on a modest, human scale.
By Andrew O'Hehir
December 21, 2001
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The film of novelist Iris Murdoch's life suffers from PBS syndrome, but Dame Judi Dench cures with a moving portrayal of life with Alzheimer's.
By Charles Taylor
December 14, 2001
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A stark and beautiful film traces an Afghan woman's journey across a landscape we may never understand.
By Andrew O'Hehir
December 14, 2001
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A mythologizing biopic about a junkie playwright, thief and con man. The movie's a con, too.
By Charles Taylor
December 12, 2001
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Julia Stiles and Stockard Channing breathe life into a cold, hard movie about the sadistic lives of corporate whores.
By Charles Taylor
December 11, 2001
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Adults love cartoons for their colors, their energy and their musical movement. Here's one that doesn't devolve into adolescent foolishness.
By Stephanie Zacharek
December 4, 2001
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Stay away from this cautionary tale about the gay porn industry -- it blows.
By Charles Taylor
December 4, 2001
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In an ill-advised costume drama with Hilary Swank, you take the movie's pleasures where you find them, in the corners of the room or under the rug.
By Andrew O'Hehir
November 30, 2001
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Small-town life erupts in this deceptively calm, emotionally shocking thriller from director Todd Field.
By Andrew O'Hehir
November 21, 2001
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Why is the Big Apple such a great town? Because sensitive, frat-boy-handsome movie directors like Ed Burns live there.
By Andrew O'Hehir
November 21, 2001
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You can never go home again, an indie film warns, especially if your town's been overrun by techies.
By Katharine Mieszkowski
July 14, 2000
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Former Miramax exec Jack Lechner proclaims the death of the indie as we know it.
By Michael Sragow
January 27, 2000
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Why have there been more good movies in the past eight weeks than in the past eight years?
By Sarah Vowell
November 17, 1999
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Chris Smith wins the indie-film lottery with his documentary about another struggling independent filmmaker.
By Martin Knelman
November 2, 1999
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Using rough sex and rougher drugs to escape the marriage-mortgage trap.
By Daniel Mangin
August 20, 1999
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A boozy ice cream vendor romances a sweet young thing in Steve Buscemi's directorial debut.
By Charles Taylor
March 29, 1999