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"Early Modulations" captures the important (and unlistenable) history of turntablism, electronica and drum 'n' bass.
By Michelle Goldberg
January 20, 2000
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The all-electronica Los Angeles radio station that went off the air three years ago is back -- online.
By Janelle Brown
January 12, 2000
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On the "The New Latinaires 2," transnational artists fusing Latin, house and electronic music suggest that the Ricky Martin explosion was not a fluke.
By Michelle Goldberg
December 17, 1999
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For some reason, the Underworld let remixers with a lot less talent rework the U.K. outfit's songs.
By Michelle Goldberg
December 7, 1999
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Kathleen Hanna and Le Tigre say dance first and theorize later.
By Carlene Bauer
November 11, 1999
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The Charlatans U.K. aren't really an innovative band, but they've got a world-weary confidence that makes for good rock 'n' roll.
By Michelle Goldberg
October 12, 1999
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"Little Louie" Vega's mix of early '90s dance remembers a time when electronic music was still sexy.
By Michelle Goldberg
October 1, 1999
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Genaside II bring hard-ass thuggism to the paranoid visions of dark electronic music.
By Amanda Nowinski
September 30, 1999
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Everything But the Girl marry the lonely pop romance of Frank Sinatra to the dance-floor sounds of house and drum 'n' bass.
By Charles Taylor
September 28, 1999
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Singing along to electronica with the Chemical Brothers and Paul Oakenfold live in New York.
By Andy Battaglia
September 22, 1999
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A new record suggests that Tori Amos' power is inversely proportional to the number of instruments involved.
By Michelle Goldberg
September 22, 1999
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Four years ago, Leftfield were contenders in the Fatboy Slim-Chemical Brothers-Prodigy poptronica pantheon. Now they're back, but where's the hype?
By Michelle Goldberg
September 17, 1999
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Low-fi electronic indie duo Sukpatch release the fall's best summer record.
By Andy Battaglia
September 13, 1999
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On "Stars Forever," British cult singer Momus offered fans personalized, one-of-a-kind songs -- for $1,000 apiece.
By Wendy Mitchell
August 24, 1999
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DJ Raymond Roker's bleak and claustrophobic "Altered States of Drum & Bass" crushes the warm beats of hip-hop and strangles the gasping voice of house.
By Michelle Goldberg
August 18, 1999
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Growing up all wrong: The anti-electronic anthems of Bis make hypocrites out of youngsters who should know better.
By Michelle Goldberg
August 16, 1999
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House music will never die: The hyped -- but worth it -- Basement Jaxx testifies.
By Amanda Nowinski
August 13, 1999
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5-Ziq's forbidding electronic music paraphrases the cool minimalism of Philip Glass.
By Alex Pappademas
August 6, 1999
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British electronic musician Scanner's illicit phone taps examine the technology of communication and the vanishing border between public and private space.
By Andy Battaglia
August 5, 1999
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A new Astralwerks compilation takes the electronic pulse of underground urban America.
By Amanda Nowinski
July 22, 1999
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On "The Seduction of Claude Debussy," Art of Noise offer a playfully pretentious tribute to the father of modern music.
By Michelle Goldberg
July 13, 1999
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Proudly synthetic, the electronic duo 2 Lone Swordsmen prove that man is more intelligent than machine.
By Amanda Nowinski
July 8, 1999
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The Chemical Brothers grow up but find no place to go.
By Jon Dolan
June 18, 1999
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Moby draws a bold line straight from the Mississippi Delta to the South Bronx, connecting the dots of black music in a search for the roots of his electronic craft.
By Scott Marc Becker
June 8, 1999
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Thievery Corporation's second full-length compiles brutal dissections of songs by remix-friendly hipster outfits like Pizzicato Five, Stereolab and Gus Gus.
By Amanda Nowinski
June 4, 1999
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Glenn Greenwald
Broadsheet