Directors

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Piper Laurie remembers the smoldering genius of George C. Scott
We saw his imperial bravado in "Patton" and his majestic cool in "The Hustler." She saw, late in life, a "caring, warm, funny and charming" maverick.
Ron "The Artist" Shelton
With his new boxing movie, "Play It to the Bone," the writer-director continues to work the "radical middle."
Welcome to ... the Godlight Zone!
"Stigmata," "The Sixth Sense" and "Stir of Echoes" give us that New Age religion.
Kevin Spacey knows our secrets
The enigmatic actor's roles embody manipulation and cunning.
A magical, movable feast
The Beatles live again in the eye- and ear-popping new print of "Yellow Submarine."
The art of survival
Oscar winners Freida Lee Mock and Terry Sanders salute America's Vietnam War POWs in the awe-inspiring "Return With Honor."
"It's about how much craziness you have to accept"
Director Paul Mazursky on Warren Beatty's relentless charm, Woody Allen's inferiority complex and Peter Sellers' maddening talent.
All in the family
Patricia Hitchcock O'Connell recalls working with her father, Alfred, on "Strangers on a Train" and "Psycho."
Lights, cameo, action!
Alfred Hitchcock's first rule of directing was to treat actors like cattle -- and even in his own cameos, he was no sacred cow.
Iron without irony
With "The Iron Giant," cartoon whiz Brad Bird brings an elegiac Ted Hughes fable to life -- and he's not embarrassed about making you cry.
Eyes opening up
Flip Sam Peckinpah's "Straw Dogs" into the VCR after dozing through Stanley Kubrick's valedictory and it registers like the shock pads on failed hearts in medical shows -- suddenly, you can feel again.
Here he is
Michael Patrick Jann's beauty-pageant sendup "Drop Dead Gorgeous" lands the crown.
From "Tootsie" to "Eyes Wide Shut"
Sydney Pollack directed Dustin Hoffman romping around in a skirt. Now he's co-starring as the orgy master who guides Tom Cruise through the debaucherous center of Stanley Kubrick's final film.
Taxi Driver II
"My Son the Fanatic" director Udayan Prasad on Hanif Kureishi, the spiritual life of Pakistani cab drivers and the art of stealing ideas from those more talented than you.
"Making film is making music"
Director Frangois Girard on the art of making art.
Big success on the small screen
Director Alan Taylor ("Palookaville") makes the leap to television -- and hits a high note with his episode of "The Sopranos."
Bertolucci's better half
Clare Peploe, one of film's finest female directors, talks about her rare collaboration with husband Bernardo Bertolucci on his first real love story.
America's red-hot sweetheart
Clara Bow biographer David Stenn talks about how this poor abused beauty from Brooklyn became Hollywood's first real sex icon -- and why she was so reviled for it.
Altman's fortune
Robert Altman finds his Paul McCartney in screenwriter Anne Rapp.
Joan Chen: Guerrilla director
The actress talks about the filming of her directorial debut, "Xiu Xiu," under a shadow of Chinese governmental disapproval.
The biggest indie film ever made
Producer Rick McCallum reveals the filmmaking formula for "The Phantom Menace" -- and hopes Hollywood will follow suit.
Father figure
Director Irvin Kershner, the unknown wizard behind "The Empire Strikes Back," talks about being Darth Vader, working with George Lucas and making the best "Star Wars" film.
Screensaver: On his own turf
Director-writer Paul Schrader talks about his acclaimed modestly budgeted "Affliction" and the pleasures of working the fertile emotional territory the big studios can't touch.
Star dreck
Woody Allen packs 'Celebrity' with celebrities, proving that his mockery of our fame-obsessed culture is just a put-on. Reviewed by Charles Taylor
Beloved
Jonathan Demme panders to Toni Morrison's guilt mongering in his brutal adaptation of 'Beloved'.
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