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Catherine O'Hara roars back to the top of the heap in "Best in Show."
By Michael Sragow
September 28, 2000
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Akira Kurosawa's "Ran" remains a bloody and spectacular depiction of doomsday karma -- and the trickle-down theory of anarchy.
By Michael Sragow
September 21, 2000
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Forget "Chariots of Fire"; here are three unforgettable documentary looks at the outer limits of human endeavor.
By Michael Sragow
September 14, 2000
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"Paragraph 175" filmmakers Rob Epstein and Jeffrey Friedman testify about the Nazi persecution of gay men.
By Michael Sragow
September 7, 2000
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Cameron Crowe talks about "Jerry Maguire," "Say Anything ..." and tiptoeing his way though the '70s for his new autobiographical movie, "Almost Famous."
By Dave McCoy
September 6, 2000
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This summer's hottest noir director talks about the road to "Rififi."
By Michael Sragow
August 24, 2000
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With unlimited range, Alec Guinness gave the movies grace and hubris, brains and laughs, Obi-Wan Kenobi and literature's most indelible poseur.
By Michael Sragow
August 17, 2000
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How a free Rolling Stones concert turned into a colossal mass bad trip -- and spawned the most harrowing rock 'n' roll movie ever made.
By Michael Sragow
August 10, 2000
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On the set of his first movie, he was young, gifted, black and beautiful. In his new one, it's just a Murphy, Murphy, Murphy, Murphy, Murphy World.
By Michael Sragow
August 3, 2000
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Is the director of "Total Recall" and "Hollow Man" a pornographer, a homophobe and a misogynist -- or a misunderstood genius who's been defeated by his own contrary nature?
By Andrew O'Hehir
August 1, 2000
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Philip Kaufman's new "Quills" pits the Marquis de Sade against Kenneth Starr in Napoleonic drag.
By Michael Sragow
July 27, 2000
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Skip Hollywood's latest scary movie and try one of these haunted-house classics.
By Michael Sragow
July 20, 2000
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A special-effects wizard for "The Perfect Storm" talks about crafting virtual victims (and heroes) and the evolution of computer graphics, from morphing to "The Matrix."
By Michael Sragow
July 13, 2000
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The unpredictable star talks about his overlooked boxing flick, "Play It to the Bone" -- and tries to avoid preaching.
By Michael Sragow
July 6, 2000
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Janet Leigh rebuffed Howard Hughes, made movies with Orson Welles and collaborated with Alfred Hitchcock. But don't call her an actor.
By Michael Sragow
June 29, 2000
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"Chicken Run" creators Nick Park and Peter Lord talk about animating with emotion, Mel Gibson's patriotic rooster and finding an idea with legs, er, drumsticks.
By Michael Sragow
June 22, 2000
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The stand-up comedian's one-woman movie proves that Cho business is not all show business.
By Michael Sragow
June 8, 2000
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How "Chinatown" screenwriter Robert Towne hooked up with Tom Cruise and John Woo to script "M:I-2."
By Michael Sragow
June 1, 2000
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Veteran "Hill Street Blues" and "NYPD Blue" director Gregory Hoblit
scores the spring's sleeper hit with "Frequency."
By Michael Sragow
May 25, 2000
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At a group-grope press interview, John Travolta talks about his alien-diva star turn in "Battlefield Earth."
By Michael Sragow
May 18, 2000
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Director Mike Figgis talks about putting his troupe of actors through the rigors in his four-films-in-one marvel, "Time Code."
By Michael Sragow
May 11, 2000
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The director of the cult thriller "Breakdown," Jonathan Mostow, talks about making a mainstream splash with "U-571."
By Michael Sragow
May 4, 2000
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How wizard Walter Murch created a soundtrack of horror for Francis Ford Coppola's "Apocalypse Now."
By Michael Sragow
April 27, 2000
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Director Mike Hodges of "Croupier" and writer Howard A. Rodman of "Joe Gould's Secret" talk about the ego trips of life, commerce and show biz.
By Michael Sragow
April 20, 2000
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Susannah Grant on writing star roles for Drew Barrymore ("Ever After"), Julia Roberts ("Erin Brockovich") and Sandra Bullock ("28 Days").
By Michael Sragow
April 13, 2000