Directors

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  • The once and future queen of comedy

    Catherine O'Hara roars back to the top of the heap in "Best in Show."
  • Lear meets the energy vampire

    Akira Kurosawa's "Ran" remains a bloody and spectacular depiction of doomsday karma -- and the trickle-down theory of anarchy.
  • The Olympics and the movies

    Forget "Chariots of Fire"; here are three unforgettable documentary looks at the outer limits of human endeavor.
  • When life was no "Cabaret"

    "Paragraph 175" filmmakers Rob Epstein and Jeffrey Friedman testify about the Nazi persecution of gay men.
  • Portrait of the director as a young rock critic

    Cameron Crowe talks about "Jerry Maguire," "Say Anything ..." and tiptoeing his way though the '70s for his new autobiographical movie, "Almost Famous."
  • Jules Dassin: The early years

    This summer's hottest noir director talks about the road to "Rififi."
  • Our only hope

    With unlimited range, Alec Guinness gave the movies grace and hubris, brains and laughs, Obi-Wan Kenobi and literature's most indelible poseur.
  • "Gimme Shelter": The true story

    How a free Rolling Stones concert turned into a colossal mass bad trip -- and spawned the most harrowing rock 'n' roll movie ever made.
  • Eddie: What happened?

    On the set of his first movie, he was young, gifted, black and beautiful. In his new one, it's just a Murphy, Murphy, Murphy, Murphy, Murphy World.
  • Paul Verhoeven

    Is the director of "Total Recall" and "Hollow Man" a pornographer, a homophobe and a misogynist -- or a misunderstood genius who's been defeated by his own contrary nature?
  • The return of the Marquis de Sade

    Philip Kaufman's new "Quills" pits the Marquis de Sade against Kenneth Starr in Napoleonic drag.
  • Who cares "What Lies Beneath"?

    Skip Hollywood's latest scary movie and try one of these haunted-house classics.
  • Building the perfect catastrophe

    A special-effects wizard for "The Perfect Storm" talks about crafting virtual victims (and heroes) and the evolution of computer graphics, from morphing to "The Matrix."
  • Woody Harrelson gets back in the ring

    The unpredictable star talks about his overlooked boxing flick, "Play It to the Bone" -- and tries to avoid preaching.
  • This dame was a lady

    Janet Leigh rebuffed Howard Hughes, made movies with Orson Welles and collaborated with Alfred Hitchcock. But don't call her an actor.
  • Great escapists

    "Chicken Run" creators Nick Park and Peter Lord talk about animating with emotion, Mel Gibson's patriotic rooster and finding an idea with legs, er, drumsticks.
  • Margaret Cho: All-American slut

    The stand-up comedian's one-woman movie proves that Cho business is not all show business.
  • Risky business

    How "Chinatown" screenwriter Robert Towne hooked up with Tom Cruise and John Woo to script "M:I-2."
  • What's the "Frequency," Gregory?

    Veteran "Hill Street Blues" and "NYPD Blue" director Gregory Hoblit scores the spring's sleeper hit with "Frequency."
  • A dread-ful performance

    At a group-grope press interview, John Travolta talks about his alien-diva star turn in "Battlefield Earth."
  • "The poor dears!"

    Director Mike Figgis talks about putting his troupe of actors through the rigors in his four-films-in-one marvel, "Time Code."
  • Mission from Mostow

    The director of the cult thriller "Breakdown," Jonathan Mostow, talks about making a mainstream splash with "U-571."
  • The sound of Vietnam

    How wizard Walter Murch created a soundtrack of horror for Francis Ford Coppola's "Apocalypse Now."
  • The story behind the stories

    Director Mike Hodges of "Croupier" and writer Howard A. Rodman of "Joe Gould's Secret" talk about the ego trips of life, commerce and show biz.
  • Oh, Susannah!

    Susannah Grant on writing star roles for Drew Barrymore ("Ever After"), Julia Roberts ("Erin Brockovich") and Sandra Bullock ("28 Days").
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