Directors

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Anthony Minghella, 1954-2008
Oscar-winning director of "English Patient" and other high-class literary adaptations dies suddenly in London.
I'm an interesting, talented artist but I can't take the rejection!
I know it's part of the game, but it's beginning to defeat me.
Peter Bogdanovich
The director of "The Cat's Meow" discusses the truth about "Citizen Kane," the philanderings of Charlie Chaplin and the lies Hollywood tells us about death and dying.
Frederick Wiseman
The grandfather of cinéma vérité talks about domestic violence, "Domestic Violence" and the reality behind reality films.
David Lynch
The pleasant, bizarre filmmaker who gave us the Lynchian world insists that now, more than ever, we must face the darkness.
Mel Brooks
The comedy impresario currently steamrolling Broadway owes "Blazing Saddles," fart humor and his dancing Hitler to a red rubber ball.
Liv Ullmann
The renowned actress and director of "Faithless" talks about quick flings in Paris, her pal Ingmar Bergman and how scared we all are.
Jean-Jacques Annaud
The renowned French director of "Quest for Fire," "The Lover" and "Seven Years in Tibet" provokes a firestorm over his breathtaking new war film, "Enemy at the Gates."
Roland Joffé
The creator of "The Mission" and "The Killing Fields" describes his latest cinematic feast, "Vatel," and explains why a cook and a director have more in common than you'd think.
We three kings
The great works of Stanley Kubrick, Francis Ford Coppola and F.W. Murnau make today's movies look like bags of tricks or boxes of soap.
Directors from B to Z
"Panic" filmmaker Henry Bromell talks about low-budget independence, while Robert Zemeckis of "Cast Away" chimes in on big-studio clout.
Life is like a FedEx box
Tom Hanks says that until crisis strikes, you always know what you're going to get.
An ornery kind of American heroism
Jason Robards became the most urban of characters, but I'll remember him for his saloon-bred hoarseness and his frontier purpose.
"You'll shoot your eye out, kid"
Everything you need to know about the great yuletide standards, from "It's a Wonderful Life" to "A Christmas Story."
Another "Hard Day's Night"
Producer Walter Shenson tells how he gave director Richard Lester a ticket to ride. (The band just acted naturally.)
"A demented peacock"
Oscar-winner Geoffrey Rush talks about "Quills," playing a great pervert and what's so funny about sadism.
Charlie's dude
Director McG on why his "Charlie's Angels" is a kung fu "The Breakfast Club" with one part "Grease," some "Singin' in the Rain" and a bit of "Rocky." Or something like that.
King of comedy
Harold Ramis explains how he distills meaning while kicking comic ass in films from "Groundhog Day" and "Analyze This" to "Bedazzled."
Black like Spike
In a wide-ranging interview, our most audacious filmmaker blasts gangsta rap, hails the Original Kings of Comedy and talks about his scorching blackface farce, "Bamboozled."
Homecoming
James Gray, director of "The Yards," returns to Queens for some poking around, an ice cream shutout and a moment of "pretentious prick" anxiety.
Gotta dance! Gotta dance! Gotta dance!
Movies are a dream world for stage wizard Stephen Daldry. And for actor Jamie Bell, "Billy Elliot" is a dream movie.
The sad and hilarious tale of Dr. T and Big D
Robert Altman and screenwriter Anne Rapp talk about Dallas, sex, chivalry and their new movie, "Dr. T & the Women."
Subverting the genre
"Girlfight" director Karyn Kusama pulls no punches when it comes to cinema.
The once and future queen of comedy
Catherine O'Hara roars back to the top of the heap in "Best in Show."
Lear meets the energy vampire
Akira Kurosawa's "Ran" remains a bloody and spectacular depiction of doomsday karma -- and the trickle-down theory of anarchy.
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