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With a new graphic novel out and a movie on the way, the author of "David Boring," "Ghost World" and "Eightball" talks about writing stories, making movies and what it's like being him.
By Carina Chocano
December 5, 2000
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China hates him, the West wants to hug him. The spiritual leader of Tibet isn't just the bodhisattva of compassion -- he's one heck of a marketer.
By Chris Colin
November 28, 2000
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At 82, the Elvis (and Marshall McLuhan) of preachers is still the king of ecumenical evangelism.
By David Rubien
November 21, 2000
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Listen to the second annual celebration of Salon's "Brilliant Careers" series featuring Tracey Ullman, Roger Ebert, Mike Figgis and more!
Emceed by Ben Stein
November 14, 2000
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From prison and politics to rambling and romance, his journey has been, well, complicated. But austere lyrics and rich country jazz have made him one of music's masters.
By Alex Halberstadt
November 14, 2000
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The artist with one of the greatest country voices of all time says that throughout her life she's been driven by three passions: God, music and sex.
By Stephanie Zacharek
October 31, 2000
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Almost 60 years ago, the greatest hitter who ever lived hit over .400 and no one has done it since.
By Mark Miller
October 24, 2000
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After 50 years of baseball, the legendary manager swears he bleeds Dodger blue.
By Mark Miller
October 17, 2000
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No one plays the kook, the psycho, the fallen angel, the bloodthirsty ghoul better than the actor who claims he's just a regular Joe.
By Stephen Lemons
October 10, 2000
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Over four decades -- from "Alfie" to "The Cider House Rules" -- he has played warm, cold and everything in between, and never feared losing the audience's sympathy.
By Charles Taylor
October 3, 2000
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In a tempestuous era, her Cosmopolitan magazine grappled with how
women should define themselves, and reconcile liberation with their
interest in men.
By Melissa Hantman
September 26, 2000
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The Irish singer-songwriter has identified himself with poets from Blake to Yeats, and like those "poetic champions," he has searched for the right words, the right feeling, as if for the Holy Grail.
By Sean Elder
September 19, 2000
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The great Atlantic Records producer gave us rhythm and blues -- as well as just about every R&B legend -- and retooled the very foundations of music producing.
By Alex Halberstadt
September 5, 2000
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Long before he started writing about baseball for the New Yorker he was a fan of the game, and he has never been afraid to show it.
By Steve Kettmann
August 29, 2000
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The man whose kinkiness gave the Kinks their greatness has written songs that some of us will carry around, like a talisman, forever.
By Stephanie Zacharek
August 22, 2000
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Hollywood's ultimate outsider is at long last the Big Daddy of American cinema.
By Stephen Lemons
August 15, 2000
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It's been a long, nauseating haul, but the director of "Pink Flamingos" and the new "Cecil B. DeMented" has made it as an American icon.
By Daniel Reitz
August 8, 2000
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By Andrew O'Hehir
By
August 4, 2000
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Is the director of "Total Recall" and "Hollow Man" a pornographer, a homophobe and a misogynist -- or a misunderstood genius who's been defeated by his own contrary nature?
By Andrew O'Hehir
August 1, 2000
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He was the only "fifth Beatle" who really deserved the title -- without him the '60s' greatest group might never have happened.
By Frank Houston
July 25, 2000
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By flipping the known world on its head, the relentlessly contrarian
author of "Son of the Morning Star" and "Deus Lo Volt!" has become that
rarest of writers: Dangerous.
By Greg Bottoms
July 18, 2000
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His combination of talent and temperament worked hand in hand, exploding on the court and turning tennis into performance art.
By Larry Platt
July 11, 2000
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Her books on dogs have made her a bestselling author, but her fascinating life as a writer began over 40 years ago in the Kalahari Desert.
By Susan McCarthy
June 27, 2000
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Now on a rare tour of the U.S., she's been the "High Priestess of Soul" for decades, making music that's an eloquent blend of joy, sorrow and anger.
By Jennifer Gilmore
June 20, 2000
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The King of B movies became an industry giant by keeping budgets lean, and his films rich with breasts, bikers and blood.
By Greg Villepique
June 13, 2000