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Eyestorm
By Eyestorm
September 15, 2000
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This new book is as much about the history of lesbians in this country as it is about their art.
By Jonathan Lerner
September 7, 2000
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Artist Ralph Steadman is a people-loving, Nietzsche-reading, ink-splattering grump. And he doesn't think Hunter S. Thompson should have a gun.
By Gregory Daurer
September 1, 2000
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Big bucks drive the van Gogh accessory business.
By Barry Raine
August 14, 2000
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England's newest art cause cilhbre is a massive power station turned gallery on the banks of the Thames.
By Alan Michael Parker, with paintings by Joe Morse
July 11, 2000
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The bluest performance artist around has the paint-and-nipple market cornered.
By Stephen Lemons
July 5, 2000
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Is his darkly imaginative photography an intellectually camouflaged freak show or high art?
By Cintra Wilson
May 9, 2000
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A new book about Tom of Finland says the artist was the first to show homosexual masculinity.
By Michael Alvear
April 8, 2000
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Our expert directs travelers to French art workshops, Disneyland/Grand Canyon vacations and flight-tracking Web sites.
By Donald D. Groff
April 5, 2000
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The hottest art show in America is never better than Tom Cruise in his underwear. Wouldn't a nice Kate Spade handbag be so much more practical?
By Sarah Vowell
March 29, 2000
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Well, because there's a shortage of jobs in the logging industry these days. And, no, as a matter of fact, they don't sell their canvases for peanuts.
By Elizabeth Bukowski
March 23, 2000
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Artwork that slams Rudy Giuliani's reaction to "Sensation" leads to a little dynastic squabble that may cause the family to withdraw its name -- and not-so-little fortune -- from the museum.
By Frank Houston
March 15, 2000
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Conceptual artist Sol LeWitt doesn't do his own work, doesn't make originals and doesn't follow his own rules. Thirty years on, he's still making people nervous.
By Apollinaire Scherr
March 10, 2000
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Between the Beatles' flashy suits and Madonna's damn-the-torpedoes bustier, "Rock Style" examines the finest frippery in music.
By Stephanie Zacharek
January 12, 2000
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At the turn of the century, with Picasso behind and Matthew Barney in front, does beauty still matter?
By Daniel Kunitz
January 10, 2000
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A passionate critic tosses a few firebombs at the New York theater.
By Andrew O'Hehir
December 3, 1999
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"It Hurts" author Matthew Collings on the uselessness of secular critics, Warhol's sincere cynicism and how one avoids annoying art-speak.
By Sarah Vowell
December 1, 1999
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Why are Catholics so set on dogging "Dogma"?
By Stephanie Zacharek
November 9, 1999
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Is it Spike Gillespie who should be restrained? Plus: Michael Lewis' bogus attack on J-schools; art should be about seeing, not theorizing.
Letters to the Editor
November 1, 1999
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Fred Tomaselli's work offers the experience of taking drugs in the safest possible way -- through the eyes.
By Susan Emerling
October 29, 1999
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Announcing ... the Your Town Here Arts & Lectures fall season, featuring Anglo-Saxon-American jazz puppet theater!
By Sarah Vowell
September 22, 1999
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Tarantino cameraman Ziad Doueiri's excellent directorial debut tracks teenagers coming of age in a sophisticated city devastated by war.
By Andrew O'Hehir
September 9, 1999
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The annual Burning Man festival in the Nevada desert invents a hyper-real space, a republic of drugs, nudity and spectacle.
By Michelle Goldberg
September 8, 1999
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British electronic musician Scanner's illicit phone taps examine the technology of communication and the vanishing border between public and private space.
By Andy Battaglia
August 5, 1999
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Artist Spencer Tunick is in hot water with the NYPD for attempting to photograph 150 nude people in Times Square.
By Jenn Shreve
June 21, 1999
"Lesbian Art in America" by Harmony Hammond
The grotesque and the gold
The one-eared bandit
A trip to the Tate Modern
Blue Girl's blue period
GigaOM Network
Glenn Greenwald
Broadsheet