Andy Warhol

  • Warhol and the war god

    Even in death, the artist was way ahead of his time.
    By Susan Mulcahy February 22, 2007

  • Beyond the Multiplex

    An interview with "This Film Is Not Yet Rated" director Kirby Dick. Plus: The "real" Warhol and the Clint Eastwood of Japan.
    By Andrew O'Hehir August 31, 2006

  • The Fix

    Tom Hanks and Armani say no to the Oscars, Liz says "ciao" to Hollywood, and we get a sneak peek of "Matrix" sequel.
    By Karen Croft March 21, 2003

  • "24": Split screen's big comeback

    From Fox's "24" to Destiny's Child videos to Hollywood, the splintered aesthetic of multichannel storytelling -- once the province of the '60s avant-garde -- is suddenly everywhere.
    By Julie Talen May 14, 2002

  • The opposite of sex

    Andy Warhol, ultimate icon of pop, made painting an orgy and pornography an art form. But you'll never guess what he did between the sheets.
    By Jonathon Keats September 28, 2001

  • Art for Armani's sake

    New York's institutions of high culture are unashamedly selling out to high fashion.
    By Albert Lee October 18, 2000

  • Penny Arcade

    "The Government Doesn't Want People To F*ck"
    By Penny Arcade October 5, 2000

  • Real art is murder

    Valerie Solanas, the woman who shot Andy Warhol, died forgotten a decade ago. Now her never-produced play has been dusted off to combat NEA "censorship."
    By Michael Scott Moore February 23, 2000

  • David Bowie

    As the master of self-reinvention -- from Ziggy Stardust to the Thin White Duke to Normal David -- he became the most influential rock star of the post-Beatles era.
    By Greg Villepique January 25, 2000

  • Real Life Rock Top 10

    By Greil Marcus January 10, 2000

  • The other beauty myth

    At the turn of the century, with Picasso behind and Matthew Barney in front, does beauty still matter?
    By Daniel Kunitz January 10, 2000

  • "I'm a pure insider"

    "It Hurts" author Matthew Collings on the uselessness of secular critics, Warhol's sincere cynicism and how one avoids annoying art-speak.
    By Sarah Vowell December 1, 1999

  • The real America gone mad

    David LaChapelle constructs a colorful alternate universe of polymorphous perversity, buff dudes and bodacious ta-tas.
    By Joe Gioia October 13, 1999

  • The dung show

    Psychotic reactions to elephant dung; Jesse Ventura ups the ante; Mormon TV snips the naughty bits. Plus, Susan Lucci gets her gun.
    By Amy Reiter October 4, 1999

  • Fashion victim

    The rise and demise of Halston, America's superstar designer.
    By Carina Chocano September 17, 1999

  • Leo Castelli

    A widely influential figure in the American art world, the legendary gallery owner was always in the right place at the right time.
    By Tom DiEgidio September 11, 1999

  • More Di of boredom

    This just in! Di was way moody! Also, Tori Amos has friends in dark places; Bono burdens child with slew of names; Cybill Shepherd eyes White House -- likes what she sees.
    By Amy Reiter September 10, 1999

  • Only models matter

    Your guide to the role of women in fine art and the world.
    By Cintra Wilson June 2, 1999

  • Size matters

    Twanging reality like his own personal 80-foot-long rubber band, Claes Oldenburg restored a child's-eye sense of wonder to a weary world.
    By Douglas Cruickshank December 22, 1998

  • Movie Interview: Acting weird

    Nicolas Cage talks about selling imperfection.
    By Elgy Gillespie August 8, 1998

  • Newsreal: The fame economy

    What's good for Michael Jordan is good for America
    By Jonathan Broder December 18, 1997

  • John Cale

    By Mark Athitakis July 19, 1997

  • Hughes' views

    Art critic Robert Hughes.
    By Gary Kamiya May 23, 1997

  • The Salon Interview: Fernanda Eberstadt

    An interview with novelist Fernanda Eberstadt, author of When the Sons of Heaven Meet the Daughters of the Earth, Isaac and his Devils, and "Low Tide."
    By Cynthia Joyce May 5, 1997
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