Thursday, Jul 24, 2008
With its photos of lanky slacker bohemians, the new magazine Sweet Action is the thinking girl's antidote to bulging Chippendale hunks.
Feb 19, 2004 | Robin Adams, co-founder of Sweet Action, a just-launched magazine that offers, as the cover says, "porn for girls," has called to set up an interview and is apologizing for her scratchy voice. "I was out late last night and had only two cigarettes," she says, sighing. "It's so retarded." You'd expect an aspiring porn mogul to be capable of a lot more debauchery than two cigarettes. But Adams, a 32-year-old jewelry designer, and her business partner, 29-year-old stylist Micole Taggart, are purveyors of what Taggart calls "porn lite." You might say that the Brooklyn residents take dirty pictures for girls who may be nicer than they are naughty. Imagine a less cantankerous Bust with, as Adams puts it, "lots of dick." If you are a liberated feminist type who is turned off by what the classifieds like to call "hot sexxx," and would feel ridiculous baring your breasts at a Cake striptease-a-thon or strapping on a Louise Brooks wig and a dog collar for the alt-Hefners over at SuicideGirls, Sweet Action might be just the smut you've been looking for.
Sweet Action is populated with naked hipster boys who could probably discourse about the male gaze. Adams, a soft-spoken lanky blonde, and Taggart, a spitfire with a springy tumble of dark curls, are tenderly objectifying the sort of guy that never rates staples in his stomach, the sort of guy last seen wandering the Sunday afternoon streets of the East Village or Willamsburg or Wicker Park or Los Feliz with a bed head full of sketches for a novel or an album or a screenplay. They serve them up dreadlocked or gray-bearded and tattooed, or pale and wiry, under a string of Christmas lights in someone's backyard, or next to a half-empty glass of microbrew. Some photos are pensive black-and-white portraits, while others are unremarkable snapshots with the digital readout of the date they were taken. Sweet Action is more 'zine than glossy, with cartoons and lots of typos strewn throughout the interviews with graffiti artists and Gypsy punk rockers. There's an attempt to recover "the lost art of the hand job," in which a staffer administers a few to some "test subjects," and "a first-timer's guide on how to eat out your man's ass." (As for the protocol for removing "raisinettes," we recommend you buy the magazine -- sold at sex toy shops and independent bookstores -- which costs $8).
If you're a straight man seeking indie chick pinups taken by the people for the people, you're set: imitations of SuicideGirls' girls-in-glasses fantasias, several of which are co-run by women, are all over the Web. Even though SuicideGirls does feature boys, they're hardly publicized on the Web site and they're certainly not what made it into a multimillion-dollar brand that Playboy wants a piece of. "It's great to see a woman-centered porn magazine with such hot pictures," says Jen May, a manager at Toys in Babeland in Manhattan. "[Sweet Action] is smart and sexy -- I mean, where else can you find an article about how to eat man ass? We can't keep them on the shelves!"
Staceyjoy Elkin, who owns RedLipstick, a Brooklyn boutique, can't keep them on her shelves either -- mainly, she says, because of "the beautiful erect penises." Guys have even bought it for their girlfriends. "It's because of the hand-job article. They're lazy! They want us to do all the work!" Elkin, who's not big on porn herself, thinks Adams and Taggart have hit on something. "Women do want to see naked men, but they don't want to look at guys who are prettier than they are. You can relate to these guys -- they're handsome, but in their own way."
The idea for the magazine was born out of a fruitless search for bachelorette party porn and Adams and Taggart's shared disgust for what was on the market -- excruciatingly cheesy porn that wasn't geared toward female customers unless it was filed under erotica, which they found too self-conscious and flowery. They were also bothered by the fact that when women were given men to ogle and fantasize about, all they got was glistening, bulging Chippendale furniture. So the two decided to create an alternative to airbrushed sexuality that was a little more rooted in reality. "The seriousness of porn is just so goofy," Adams says. "It's like, what is the guy onscreen doing? Why is he smacking her ass?"
They also wanted to take a lighter approach. While Adams and Taggart love the SuicideGirls and their "rockabilly-slash-Bettie Page" look, they've tried to be less strict with their house style. And they're not pushing an agenda, which sets them apart from the feminists at Cake, whose strident sex-positive Web communiqués often have the ring of the Internationale with, say, lyrics about the uplifting power of vibrators. "A lot of women who make woman-centric porn need to assert their dominance," says Adams. "We're trying for a back-and-forth between the sexes." The visuals may suggest that they're targeting habitués of dive bars and thrift stores, but they say they aren't going after a specific demographic and are just hoping to entertain women in their mid-20s to mid-30s who are "like us," says Adams, "free-thinking, sexually experienced, with a sense of humor." If somehow their straight-girl fantasies end up turning gay men on, that's great too.
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