In which we learn that life is the joke of a whimsical creator, and virility more suitable to a younger man is a burden.
Jul 16, 2001 | I am upstairs in my study again. The night is cold, dark, and silent. I am staggered with a sadness beyond description, a sadness renewed by the presence of a new resident in our house.
This afternoon, I went out to our surprisingly sophisticated little airport -- it handles smaller passenger jets with alacrity -- to pick up Diantha, Elsbeth's daughter. The dear girl could scarcely keep from weeping when she saw me, falling into my arms, clinging to me, her wet face buried in my neck. I was glad to be of comfort and cared not one whit for the stares of passersby. I tried to reassure her as we waited for her luggage -- three huge pieces -- to come up the conveyer belt as though from Hades and start its clockwise stagger around the oval track of interleaved metal plates. I can tell from my prose that I am already equivocating.
To witness Diantha's shock and pity at seeing her mother in such evident decline opened afresh my own wound. I stood with my eyes damp as mother and daughter embraced and cried and then, not so strangely, started to laugh, as though life, deep down, even at its tragic worst, is comic, the joke of a whimsical creator.
They spoke for hours, it seemed. I served as bartender, cook, waiter, and sommelier, uncorking one, then two bottles of a plangent Graves Izzy recommended. It went brilliantly with the seafood lasagna that Elsbeth taught me how to make. (The touch of fennel and rosemary is the secret.) We all got a little tipsy, but I think Elsbeth and Diantha healed any lingering rift between them. They both turned to me on occasion during the course of the evening, each time with something akin to surprise and not a little pleasure in their faces. I like to think they found my presence comforting. It was a great relief not to act as referee, an office I reluctantly undertook during their last meeting and which had earned me, I sensed, Diantha's antipathy.
Now I have the strange, unnerving feeling that a whole new aura has entered the house. In an uncanny way, it's as though Elsbeth's replacement has shown up, a kind of premature reincarnation. Not that I know Diantha that well. She did come to the wedding, but her visit was brief.
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We had a chance, doing the dishes together, to chat. "Your Mom tells me you're in show business," I said by way of an invitation to her to tell me about herself.
She shrugged. "I've done some acting. Some modeling. I have an agent. I've had 'gigs' and a zillion near-misses for the big time. But that's not really what I do."
"What do you do?" I asked, noticing that she stacked the dishwasher exactly the way her mother does.
"I have this knack for sorting out programming problems that confuse people with a lot more smarts than I ever had. It's a kind of idiot savant flair. Even the high-end providers keep making the same mistakes." She laughed at herself. "They pay me lots of money and it leaves me enough time to screw up the rest of my life."
"I'm sure you underestimate yourself." I cleaned and rinsed off Elsbeth's dish, noticing that she had eaten very little.
"Yeah, so I'm told. It's better than having other people do it for you. Mom says you're working on another murder."
"We're not sure they're murders."
"She says it's juicy stuff. Two people fu ... did themselves to death."
"Yes. It seems there was ... intercourse of some violence." In speaking I attempted to maintain that tone of objectivity, however spurious, which allows one to talk of prurient matters without the appearance of indulging in the prurience.
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