The meaning of Jar Jar. Plus: Finally, a paper conservatives can call their own; is the Iditarod animal cruelty?
Mar 24, 2000 | Monica's got a brand-new bag
BY ANA MARIE COX
(03/23/00)
Shame on your journalistic standards to refuse to set the record straight after your reporter admitted to me on the phone that, not only did she "misread" her notes on what I said to her in more than one place, but "isn't sure" she heard me yell "Bitch." Upon being confronted with my assertion that I have never yelled such a word at anyone in my life she immediately admitted that what she may have "heard" was someone in the crowd yelling "Bitch" at me.
It's bad enough that you are doing your fact-checking after the fact of putting in my mouth such a demeaning word. But what beggars belief is that after being caught in errors on several fronts, you still don't come clean. Your own published story, a report that ran on CNN, and eyewitness accounts testify to the fact that as I was being dragged out I said nothing to, or about, Monica.
Rather, I spoke only of my First Amendment right to free speech being abridged. Yet you claim that I suddenly completely changed character and yelled "Bitch" with the implication that I was yelling it at someone. Who? Monica? I was whisked away from that poor exploited girl in about two nanoseconds. And was rather more concerned with the two hulking security guards pulling my arms from my shoulder sockets then a portly pepperpot who I feel nothing for but pity.
Your gross and malicious misquote, that I yelled "Bitch," works to characterize what went on as some kind of cat fight. In fact it was the life-or-death national issue of an American citizen -- a registered Democrat, in fact -- being violently dragged away for the "crime" of politely asking Monica why she didn't seem to think that the American people had a right to know what the president was doing on the taxpayer's money.
I thought I lived in America, not Russia or China. I thought my right to free speech was protected by the Constitution. I thought Salon.com tried to write what actually happened, not what would make the most pleasing story for the political makeup of its readers.
Yours in great disappointment,
-- Betsy Gibson
LibertyWorksRadio.com
Writer Ana Marie Cox responds: I would like to apologize to Ms. Gibson for mistakenly reporting that Linda Tripp had appeared on her talk show. As for her other complaint, Ms. Gibson did call me Thursday morning, sounding extremely upset. She claimed she would never yell such an epithet at Monica Lewinsky. I tried to assure her that not only had I heard the word, but that I could track down other attendees who witnessed her saying it. In fact, since talking to Ms. Gibson, I dutifully confirmed the quote with others there at the time, as well as with a Salon reader who sent an unsolicited email saying that she, too, observed the same incident -- and heard the same pejorative coming from Ms. Gibson.
Ms. Gibson should also know that my story was not alone in its account of the events. Reuters reported Thursday that after confronting Lewinsky, "Gibson was quickly grabbed by security guards and dumped unceremoniously onto Fifth Avenue, although not before she let loose a few unprintable insults toward the former intern."
George Lucas' Jedi mind trick
BY ALYNDA WHEAT
(03/22/00)
Wheat fails to understand that she's the one creating the stereotypes. None existed in that movie before people such as her started making them up. I would never even have considered the Jar Jar Binks character to be a stereotype of any real person or type of person. Her suggestion that "buffoonery, gait, appearance" makes a character appear African-American is patently offensive and disgusting. If she is honestly concerned about racial stereotypes (and I'm not convinced that she is), she should stop spreading them.
-- Frank Papa
It is painfully obvious that Jar Jar, with his crazy antics and high-pitched, funny voice, is a comic foil intended to entertain -- and hopefully sell millions of toys to -- all the little kids in the audience. Is it not more likely that Jar Jar is an assemblage of elements that Lucas thought little kids would enjoy rather than a recast historical stereotype belittling a particular ethnic group?
For the record, I disliked "The Phantom Menace." However, I am willing to throw the man a bone -- that he was playing the dual role of artist and marketer when crafting his characters and free from any intention of racial injustice.
-- Stephen Waters
Austin, Texas
I'm a serious "Star Wars" fan, and I run a largish "Star Wars" fan Web site. I have talked with literally thousands of people about "The Phantom Menace," out of which perhaps two or three were adamant that there was something racist about Jar Jar, and maybe another half dozen thought he could reasonably be interpreted that way.
I think it's abundantly clear that George Lucas wasn't trying to emulate any particular racial category, and the fact that Jar Jar has been accused of being everything from American black to Jamaican and more indicates even his critics can't pin him down. Jar Jar is an ethnic Gungan. You might as well suggest that Luke Skywalker is a stereotype of whiny farm boys, C-3PO of paranoid, overly fastidious Brits, that Darth Vader portrays asthmatics as evil, Jabba the Hutt implies fat people are decadent and depraved, and so forth.
It's easy to find things to be offended by. Sometimes the hard thing is letting go of one's own preconceived notions and enjoying the movie. I see Jar Jar not as a stereotype but as an archetype of the underprivileged outsider who proves himself through pluck and luck. Is that such a bad thing to be identified with?
-- Elizabeth Durack
George Lucas' racism (for the sake of fairness, let us assume it is unconscious) is secondary to his real crime: his contempt for the audience. Despite having total creative control, answerable to none of the bean-counters and marketing nabobs that plague that industry, "The Phantom Menace" lives up to every criticism of modern moviemaking: shallow, two-dimensional, effects-driven drivel with wooden characters, first-draft dialogue and relentlessly predictable plot regurgitated from his own best work. He took what most filmmakers can only dream of having -- unlimited funding, creative control, a strong back-story, popular characters and a huge audience lining up for months to buy tickets -- and somehow turned it into a monumental turd of a movie.
-- Tim Moerman
I am a lifelong "Star Wars" fan. I am also a lifelong movie fan and I consider my knowledge of movies as well as the world around me to be very extensive. When I saw "The Phantom Menace" for the first time I was dumbfounded by the portrayal of Jar Jar Binks. I remember looking at my two Star Wars fanatic friends who had braved the 3 a.m. showing and seeing the same look of amazement at the stereotype that was being portrayed that we saw. To deny that Jar Jar, as well as numerous other characters in the movie, project racial stereotypes is naive for even the most dimwitted movie critic, much less for one of the supposed preeminent directors of his generation.
-- Ian Reynolds
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