Your own music?
I try to write songs and stuff. I play Paul McCartney's music, the Rolling Stones' music and Phil Spector's music. Always pop songs.
Is that how you got started in music, playing the piano?
Yes, I taught myself to play the piano.
Your father didn't teach you? Wasn't he a musician?
Yeah, he was, but not a very good one. He was a bad musician. I learned nothing from him.
What did you teach yourself to play?
I would listen to Little Richard and Fats Domino and Chuck Berry, and I would listen to how they played their riffs, and after I taught myself that, I taught myself to play my own kind of stuff.
When was it that you started writing your own music?
1955. I was 12.
Do you do technical exercises on the piano these days? Practice scales?
I do. I practice scales. I also go to voice lessons. To keep my throat in shape, I go to a vocal coach in L.A., and I go for a half hour. [Demonstrates vocal exercises.] And by the time I get out, my throat is sore. But it builds up my throat muscles so that I can perform onstage.
Has that changed the way you sing?
It has. It's given me a much stronger voice.
You have such an angelic voice. Did that come naturally to you?
It came to me naturally. It came to me in a very natural way.
There was no one you were trying to sound like?
I wanted to emulate Bob Flanagan, the high voice in the Four Freshmen. I wanted to sing high like he did.
When you're asked what music you were listening to when you were making your Beach Boys masterpieces, you generally mention the Beatles and Phil Spector, and not much else. Were you really so focused on just those artists?
I was focused on them: the all-timers, the ones that will always be around. I still feel an inspiration from Phil Spector.
And Paul McCartney is your favorite of the Beatles?
Oh yes. He's written so many songs, it can make your head swim. If you listened to the whole Beatles catalog in one sitting, you'd wind up feeling dizzy. That's how good he is at music. He can make you feel dizzy.
And you still listen to his songs a lot?
Oh, absolutely. I like so many of them. [Enthusiastically sings snippets of "Junior's Farm," "Hey Jude" and "The Long and Winding Road."]
Do you listen to much classical music?
Are you Jewish?
No ... Why do you ask?
Just asking! No reason.
OK. Do you listen to much classical music?
I listen to Bach, and that's it. You know that album "Switched-On Bach"? I love that. I love it!!
Do you listen to any music that's being made now?
No, I don't.
Don't members of your band ever try to turn you on to stuff?
No, we're turned on by our own music. We don't need that other music. Who needs that other stuff? We have our own stuff to deal with.
Are you writing new music now?
I've written about 15 songs in the last three months.
Are you making a new record?
Yeah, we just finished a Christmas record. And after that, we're going to do rock 'n' roll. Rock 'n' roll music.
The Rolling Stones kind?
It'll be like the Rolling Stones. And it will also be influenced by Phil Spector's records. I think I can make a good rock 'n' roll album.
Are you writing the lyrics?
No, I work with a friend named Steve.
What sorts of things does he write about?
He writes about "you" and "me." "You, me" kind of songs. "I love you," "you caress me," "you make me feel good," that kind of thing. They make me feel good.
Why do you like working with other lyricists?
I like the idea of someone coming in fresh and working with me, someone who can do what I can do. That way you can't go wrong with it.
You think your skills are more as a composer?
Yes, my skills are musical, not lyrical.
Do you think the music you're writing now is as good as "Smile" or "Pet Sounds"?
Yeah, the stuff we're doing is just as good as "Smile," and it's better than "Pet Sounds." And it's rock 'n' roll. And I think rock 'n' roll is the best bet for us to do now. I could record an album of ballads -- you know what I mean, "Brian Wilson Sings Ballads" -- but I'd rather go with "Brian Wilson Rocks Out Like Phil Spector," you know what I mean? Rock 'n' roll. [Begins clapping and singing about rock 'n' roll.]
Because it makes you happier?
It just gets a load off my chest. Like when you first heard Phil Spector's records, it made you want to dance, right? Made you want to get right out of your chair and dance. That's what I want to do with my album.