That could be Luke or Frodo Baggins, from "Lord of the Rings," sure. Jesus, Moses or Mohammad, too. Even the fun but hopelessly derivative Harry Potter has a place in the monomyth.

So who does it best?

During an online debate of this very contentious issue, a friend of mine summed it up this way: "'Star Wars' was a pop-culture synthesis which is now being eclipsed by one of its major source materials."

Yes, my friend talks that dorkily. When it comes to "Star Wars" and "LOTR," we all do. We're paying members of the religion. That's why one can't just be content to say: "Both movies are fun. Let's pay attention to the Enron scandal."

To a "Star Wars" or "Lord of the Rings" fan, this is much, much bigger than Enron.

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As stories, and as films, it's almost ridiculous to compare them -- especially now. After all, "The Lord of the Rings: The Fellowship of the Ring" is just the first film of a trilogy, devoted to preserving the integrity of books that everyone has either read or is currently pretending to read. "Star Wars," on the other hand, is an original story, beholden to nothing but George Lucas' vision, and, forgetting the current prequel trilogy, it's finished.

Comparing just the first movie of each trilogy is equally futile: The first "Star Wars" (now known as "Episode IV: A New Hope"), which Tang mostly relies upon, is a stand-alone film. When Lucas made it, he had no idea of its success, or that he'd be able to make his grand vision of three, or six, or 12 films (depending on which of his early interviews you believe). So "Star Wars," the first film, ends.

"The Fellowship of the Ring" does not end. It doesn't even have a cliffhanger -- everyone is already falling off the cliff at film's end. And because it's part of a trilogy, the movie introduces quite a bit of material that isn't going to become particularly useful until later in the series. Arwen, the elf played by Liv Tyler, offers an elvish ex machina rescue, as well as a foreshadowing tender moment or two -- but depending on how Jackson follows the books, her role isn't really interesting until the films that are still to come. And you know those scenes of goblins pulling the trees out of the soil of Isengard? That'll piss off more than the Middle-earth Sierra Club later on.

For this reason, when I say I'm comparing "Lord of the Rings" to "Star Wars," I'm really comparing it to "Star Wars" and its first sequel, "The Empire Strikes Back." Both end on a moment of total transition, both require the creators to plan ahead and to make conscious choices in favor of the story -- not just how audiences want movies to progress. I'm also doing this to be fair; to include the entire "Star Wars" oeuvre would mean bashing the unsatisfying "The Return of the Jedi," Jar Jar Binks and a failed 'N Sync cameo to come, and that's just shooting fish in a barrel.

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