How do you choose your poses?
As a photographer I think of the whole project at all times, not just that single portrait. "XXX" consists of 30 portraits, so you don't want to do the same pose over and over again, even though 10 or 15 people might look great in that pose. One uses up the limited body positions quickly. The trick is to get everyone to be different in some way, and at the same time look powerful, and interesting, have dignity, and look like himself or herself.
You've said that your photo of Briana Banks was inspired by a Cézanne painting of a young boy. Were many of the other poses similarly inspired by works of art?
I have a B.A. in art history, so I often think in art historical terms. I look at a pose and think, "Oh, that's the pose of George Washington with his hand up at his chest," or, "That's Mona Lisa." I think the Cézanne painting of the bather is such a great pose, and it was an interesting start-off point for her.
"XXX: 30 Porn-Star Portraits"
By Timothy Greenfield-Sanders
Bulfinch Press
144 pages
Nonfiction
Goya is mentioned in the introduction to your book as one of the primary inspirations for the diptych form you've chosen, primarily his "Maja, Clothed and Nude" paintings.
When Goya did the Maja paintings, those were radically controversial. [Labeled "obscene works," they were seized by the authorities.] I think in some parts of this country, there are probably people who feel the same way about my book. So while in some ways a lot has changed -- these porn stars can be nude and confident, and powerfully nude -- there are people that still view it as they did 300 years ago.
Are you hoping your project will change their minds?
I don't know if I can change people's minds, but I would like to create a dialogue about the subject and these people -- about porn stars -- and what they do, and about sex.
What did you learn about porn stars from working on this project?
I was very lucky to pick porn stars to pose for the first nudes I've ever done because these are very accomplished people in front of the camera. They're great at posing, so it was easier for me than it would have been with another group who wasn't really comfortable with their bodies. Porn stars are very exhibitionistic and very at ease naked. Nudity empowering to them.
Did your porn star subjects ever remark about how different your photo shoots are from, or how similar they are to, what they're used to?
I think that they would agree that it was a very different experience for them, because I was there to bring them out as people, to emphasize that and to make them look good, but in a very different way than they're used to. They're used to doing a box cover or magazine layouts -- it's a different aesthetic. I think they felt that I respected them and I don't think that is always the case on other photo shoots.
Were any of them surprisingly shy?
I think that it takes a certain personality to be a porn star. I think exhibitionism is a big trait; an incredible drive to be successful is another one. I've only shot these 30, plus a few that didn't make the book. They all have that in common -- this push to be somebody, whether it's for the money or whether it's for the fame -- and I think there's a certain commonality to them all in terms of that.
Your portraiture generally manages to convey your subjects' fierce intellect and self-assuredness. These photos convey a different type of confidence and self-assurance. Were you concerned that this series might not carry the same power because of who you were shooting?
I approach all my shoots the same. There's this dance that goes on where I try to make the person feel comfortable, to get them in a certain mood, so that by the time I get them in front of the camera, I can get the best out of them. And whether that person is Madeleine Albright or George Bush or John Kerry or Briana Banks or Tera Patrick, it's the same for me.