A clergyman infiltrates the grass-roots campaign for Gibson's new Gospel film to catch a screening and reports that Jews, Arabs -- and Christians -- should be worried.
Jan 27, 2004 | The pope gave it two thumbs up. No, the pope didn't give it two thumbs up. Who cares? It's the first movie PR campaign shameless enough to suggest that the pope had any opinion about it at all. Mel Gibson played the pope like a cheap lute.
"The Passion of the Christ," Gibson's new film about the last hours in the life of Jesus, doesn't open until Ash Wednesday (Feb. 25), but it has already inspired stones to be cast across hectares of controversy.
Mel Gibson is a Catholic Traditionalist, an offshoot of Catholicism that rejected the papacy and the reforms of the Vatican II in 1965, which, among other things, repudiated the charge of deicide against the Jews. In light of this -- and Gibson's father having made various inflammatory, crackpot-conspiracy statements about the Holocaust, 9/11, Jews and Freemasons -- anti-Semitism charges against the film may have been inevitable, but they are perhaps not undeserved.
Unable to get the film funded through traditional big-studio means, Mel Gibson ponied up $20 million to 30 million of his own cash for "The Passion." Icon Productions is distributing it for Newmarket Films, but pre-promotional efforts have gotten a whole new twist: a frighteningly well-organized Christian group called Outreach has undertaken a grassroots-style promotion of the film through its Web site ThePassionOutreach.com. Outreach has been responsible for invitational screenings of "The Passion" to select Christian and conservative leaders across the nation.
The Outreach Web site reveals instructions for a church-based PR blitzkrieg for the film that reads like a cross between "How to Rule Mankind via Bodysnatching Pods From Space" and the new Taco Bell menu:
"IS YOUR CHURCH READY? At Outreach, we believe that The Passion of The Christ movie may well be the best outreach opportunity in the last 2,000 years ... The overwhelming feedback has been that the film represents a tremendous opportunity to reach the unchurched with the message of salvation."
The Web site features "Outreach tools" and strategies with corporate-catchy names that are intended to aid the faithful in helping proselytize for the film through their participating church. That includes: "Passion Saturation Mailing: Focus on those parts of your community God is calling you to reach. Mail a The Passion of The Christ ImpactCard to the selected carrier routes in driving range of your church."
"Passion Prayer Walk: Carefully choose a neighborhood you believe God wants you to reach. With multiple prayer teams, walk every street and pray for every house, asking that God would reach each person with the message of the cross through exposure to The Passion of The Christ. Leave a DoorHanger and/or evangelistic booklet at each home encouraging them to see the movie and inviting them to attend a Passion-related event at your church."
Mel's team has invented a Brave New World of promotional advertising: Force-feed a star-power-fueled "Passion" to your friendly neighborhood pastor, then tap into the free labor of the faithful, zealot-y congregation! Way to recoup through Jesus!
The Rev. Mark Stanger, canon precentor and associate pastor of San Francisco's premier mainstream Episcopalian church, Grace Cathedral, was one of the lucky Christian leaders invited to one of Outreach's pre-screenings of "The Passion." Stanger took his mother to Barrington, Ill., to see the tightly guarded film, hosted by Gibson himself, who gave a Q&A afterward. I am lucky to call Stanger a friend, so we dished the dirt about the event. Apparently, not only do the Jews have a legitimate gripe against "The Passion," but so do the Arabs -- yet, according to Father Stanger, the Christians come off worst of all.
Where were the screenings?
There were two showings, and they were at the two premier modern suburban Evangelical churches in the country. One was at Saddleback Community Church in Orange County; the other, where I went, was at Willow Creek in Barrington, Ill.
Somebody told you it was a real red-neck, weirdo community, right?
This guy I know said he wouldn't set foot in there -- not without shots, at least. These places are highly successful. [Willow Creek] is like a modern hotel conference center, with a food court ... the worship space is a huge auditorium, with multi-screens, that seats 4,500 people. As someone from a fairly sensible church, I really felt uneasy in the crowd. I could really see how church freaks some people out. I couldn't put my finger to it, but there was this atmosphere of giddiness and anticipation...
Star-struck craziness...?
Yeah, and also everyone there was white. Any identifiable clergy that I saw were male. There may have been female clergy, but it seemed to be male clergy with their wives in tow, or male clergy with their clergy buddies, or a lot of young male youth-leaders.
Do you think they were mostly Evangelical-style Christians?
I would think so.
This film is being touted as the most factual representation of the crucifixion possible; Mel Gibson has called it the most authentic and biblically accurate film about Jesus' death.
It's absolutely not.
The Gospels of Matthew, Mark, Luke and John each give different views of the crucifixion.
Mel Gibson in his remarks after the film took a potshot at contemporary biblical scholarship -- he called scholars "revisionists" who think the gospel writers had agendas. They absolutely did have agendas. It's hard to know if [the film is] historically accurate, because Gospel writers were not trying to do an eyewitness report -- they were producing theological, practical documents of faith to answer questions that were appearing in their communities a half-generation and a generation after the death of Jesus. So it was as if the gospel writers themselves were movie makers. They were trying to interpret things in a way that their people could understand it. They're works of art, theological works, not eyewitness reports. But even a CNN eyewitness report has an agenda.
Get Salon in your mailbox!