It's bizarre that more attention hasn't been paid to the series' open hostility to the Jewish religion, if not the Jewish people. Imagine if, say, James Carville wrote a novel in which a band of heroic gay socialists defeated a voracious army of slack-jawed Bible-quoting Republicans to turn the world into a gigantic French-speaking free-love commune. He'd be crucified on the talk shows, and all kinds of sinister motives would be impugned to the Democratic Party.
That a Republican player can create a blockbuster media empire out of analogous extremism suggests two seemingly contradictory things. First, Christian paranoia has become so mainstream that few see fit to remark on it anymore. Second, while the novels' popularity has received lots of media attention, their actual content is utterly off the radar of the kind of people who write about books. Nobody, it seems -- except, of course, for the series' millions of fans -- is reading Left Behind.
The Left Behind books actually play on that sense of being unfairly ignored, reveling in the moment when smug agnostics, insufficiently zealous Christians and, most of all, Jews realize how terribly wrong they were. As Gersholm Gorenberg wrote of the books in his "The End of Days: Fundamentalism and the Struggle for the Temple Mount," "Christianity's ancient, anxious amazement that the people who know the Old Testament best don't accept that it leads to Jesus (don't, in fact, accept that it is Old Testament) is at last disarmed."
Cannily, the authors make their protagonists disbelievers who are disdainful of fundamentalism. That means that doubters can relate to them and are thus drawn into their dawning religious consciousness, while believers get the satisfaction of seeing the heroes come around to their point of view. By having even minor characters recount their conversions, Jenkins and LaHaye make sure that each volume has moments when readers can enjoy a bit of high-minded revenge against mocking urbanites.
The writers take a special pleasure in the self-abnegation of supposedly sophisticated media types. In "The Remnant," a British reporter makes an appearance solely to explain her salvation. "All I can say is that the enemy has a stronghold over the mind until one surrenders to God," she says. "I was a pragmatist, proud, a journalist. I wanted control over my own destiny. Things had to be proved to me." Now born-again, she tells Steele that she's mystified by her former "lunacy."
Seeing the self-defeating delusions of erstwhile elites exposed may be the greatest pleasure the Left Behind books offer their readers.
The plotting alone certainly isn't enough to sustain attention in "The Remnant." That wasn't true of the first book -- theology aside, the setup of the original Left Behind makes for a strangely compelling thriller. The stage is the whole world gone mad, and the story roils with international intrigue. Jenkins and LaHaye are very good at turning esoteric biblical augury into real-world scenarios, and they get the action going before they start inserting too many sermons into the mix.
So simple fascination with a good story might have accounted for the book's initial success -- after all, audiences don't necessarily endorse the politics behind every action adventure they devour.
But by the time "The Remnant" starts, the suspense has pretty much died, because the story has the ultimate deus ex machina. Whenever things look grim for our heroes, when the enemy is closing in and there's nowhere to run, they're saved at the last minute by ... God. At the beginning of "The Remnant," Ben-Judah is encamped, Moses-like, with a million followers in the Jordanian desert. Carpathia's forces unleash a devastating bombing raid, but thanks to God, the resulting "massive sea of raging flames" leaves the so-called Judah-ites untouched. God can also be relied upon to speed up computer searches and drop plenty of nourishing manna on his blockaded flock. In the wittiest scene in "The Remnant," God is literally a co-pilot, sending an angel to help fly a plane during a tense getaway.
There's not much drama in the repeated victories of an omnipotent being, but that's not the only thing that makes "The Remnant" sluggish. In order to stretch out the series for so long, Jenkins and LaHaye have larded it with tedious subplots and countless techno-geek scenes in which a crafty Christian hacker named Chang sabotages Carpathia's plans or creates false identities for his comrades. About a third of "The Remnant" concerns the rescue of a Tribulation Force pilot named George Sebastian from Greece. The action mostly involves the characters driving around, splitting up, reconnoitering and then trying to find each other.
The Remnant has very little in the way of climactic good vs. evil showdowns. While there is a bit of supernatural deviltry (masses of vipers attack believers lured from Ben-Judah's protection by agents of the False Prophet) and some martyrdom (though not of any main characters), most of the story follows members of the Tribulation Force jetting around the globe running various errands. The nuclear annihilation of Chicago rates just a few lines, while the cellphone codes the Force uses to communicate gets several pages.
Left Behind cloaks itself in the conventions of ordinary airport thrillers, but it does far more than just provide a Christian alternative to decadent mainstream entertainment. It creates a Christian theory of everything, one that slates current events into a master narrative in which the world is destroyed and then remade to evangelical specifications. It's an alternate universe in which conservative Middle Americans are vindicated against everyone who doesn't share their beliefs -- especially liberals and Jews.
There's nothing wrong with that. Everyone is entitled to their fantasies. But LaHaye and Jenkins are at pains to show that the Left Behind books are meant as more than fiction. They write on the Left Behind Web site, "While it is true that in the broad spectrum of Protestant Christianity there are multiple views of the end-times scenario, the pre-millennialist theology found in the Left Behind Series is the prominent view among evangelical Christians, including their leading seminaries such as Talbot Seminary, Trinity Seminary and Dallas Theological Seminary."
So the rest of us can ignore Left Behind, or chuckle at its over-the-top Christian kitsch. We should keep in mind, though, that for some of the most powerful people in the world, this stuff isn't melodrama. It's prophecy.